Today we’re taking a look at the Kino Flo Tegra 4bank.
Throughout my career, I’ve been a huge fan of fluorescent light technology. I have used it as a key light, or put it in the background for out of focus bokeh, or to go into hospitals and convenience stores.
With fluorescent lights, Kino Flo has always been the leader. These lights are easy to use and easy to control. They’re so lightweight that I use them for almost everything. You can hide these lights, and you can even tape them up to the walls. These babies can be used as a gag light or as a beautiful soft source. Today I’m going to focus on the Kino Flo Tegra, which is the upgraded version of the 4×4 Kino Flo.
The Tegra 4Bank DMX uses 3200K and 5500K True Match® lamps and uses 2.8A (120VAC) to give off as much light as a 1000W tungsten softlight at a third of the amount of power. These lights are also flicker free.
The Tegra 4Bank DMX is great because there is a dimmer knob that allows you to dim your Tegra from 0-100%. There is also an option to be wireless with remote handheld dimming if you’d like. This is great for when you can’t get to your Tegra but need to change its intensity.
With other lights, you only have the option of shutting the different bulbs on or off to adjust your intensity, but now you still have that option as well as the option to dim them so that you can keep the softness of all four bulbs and that wide soft source.
With digital sensors, dimming control is really important because they are more sensitive to clip factor. When we were doing film, it was harder to have blown out exposure, but with digital sensors, this isn’t the case.
Another great thing about this light is that the 100-240VAC ballast is engineered inside of the head. There’s no head extension and ballast on the ground to get in your way, and this light is only 18.5 lbs.
Lighting Modifiers with These Lights
The standard 4 ft 4 bank had an egg crate that attached to modify the light. With these lights, there are light honeycomb louvers that are made from high-grade plastic. The honeycombs help you control your light so that it is more concentrated.
With just a slight shift in position, the honeycomb goes from allowing you to see me to blocking me out.
When velcroing the honeycomb onto the light, you get this same effect. The honeycomb controls where your light is directed and comes in a 60° or 90°. With the honeycomb, the light is more on Myles and isn’t flying as much into the background.
Now we’ll take this one step further. To soften the light, we slide on the flozier diffusion that is like silent grid cloth. When we take off the honeycomb and add in the flozier, the light is softened a significant amount.
These lights are great for digital sensors because they give you sensitive dimmability with a ballast that is engineered in the head of the light. Instead of having to turn a bulb off to lose ⅓ of a stop of light, you can dim all four bulbs at once so that you can keep your spread of light.
Kino Flo also has honeycombs, which are great for lighting control, and you can place diffusion right over the light, like the Kino Flo flozier cloth if you want to soften your light even more. You can use these babies as gags, key light, a nice soft source, making out of focus bokeh, and many other uses. They’re not heavy, so you can easily hide them, or even mount them to walls. With fluorescents, Kino Flo is the leader.