Welcome to Shane’s Inner Circle member spotlight featuring Gabe Sheets. Gabe discusses his journey directing his latest film, “Fugue,” and how he faced challenges and what he would have done different in pre-production.
The look for 2014 in Fathers and Daughters had to feel temporary, lean, crisp, sharp. There would not be any yellow from the Tiffen Antique Suede filtration. The camera emotion has to speak for each character. Taking an actor’s performance even higher is dependent on the camera and how it makes the audience feel. We cannot leave that to only the look of the film itself. We turned to the MoVI for that camera emotion and it worked beautifully in this film.
All of these rules of engagement mean being obsessed with the subtleties. In a 2 hour (plus) feature film, you’re not going to see it. Rather, you’re going to feel it. That’s what the emotion is all about. You want to feel it in some way and not be taken out of the film because of camera work.
How can I use the MōVI as a camera emotion to tell the story? The camera emotion thing is very important. I try to take every movie that I do, and attach some sort of specific camera emotion to each character.
Guest blogger Jim Frohna describes working on the Amazon Prime hit show “Transparent” and shooting with the Canon C500.
Many of you ask, why MōVI? It comes down to the team behind the product, the support, the innovation, the forward thinking, the ability to future proof a product. Freefly Systems delivered.
Tiffen has introduced a whole new line of filters for digital sensors and have shot a very in-depth 4K test that premiered at NAB this year,
Born in Los Angeles, CA.
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