I walked into Samy’s Camera last week and a camera assistant was mounting gyros on the 5D to stabilize the camera. She was getting beaten up by the mount and said, “I cannot get this clamped on here.” I said “ Hi, I would love to help…
Tag Archive for: Shane Hurlbut
Focus is probably one of the biggest obstacles that the 5D encounters. So many of our colleagues have questions and wonder why it is absolutely essential to have a focus puller. They are the backbone of this amazing technology. Shooting with practical…
I am frequently asked about picture style. There are so many internet sites making RAW picture styles, Flat picture styles, Panavision Genesis Picture Styles and all the picture styles in between for the Canon 5D, 7D, and the 1D. It is confusing to know which one to choose and I…
Technology has exploded since I graduated from Emerson in 1986. I am thrilled to go back to Boston on November 12, and share my passion for Canon 5D Mark II as a game changing tool for student filmmakers. It is an affordable…
Speed and production value are intertwined. Production budgets are shrinking and companies are asking for more from cinematographers and crews that ever. One way to meet that need is by increasing your speed without sacrificing quality. Specifically, when using Canon 5D Mark II camera for a project…
I remember being creative from the time that I was little. Perhaps it was from growing up in the middle of nowhere on a farm in central New York and the fact that I was an only child. I had to create my own fun.
I love lenses and examining the subtle differences with each one so I am confident in the resulting image.
Nikon lenses are sharp with a little softer contrast than the Zeiss lenses. The older A lenses are nice because they have a wider
Panavision Primo Primes are the ultimate lenses. They produce cinema film quality imagery that will blow you away. The contrast range is perfect because you have all of the highlight detail, as well as wonderful gradation into the shadows.
Lenses are one of the most critical choices when you are mounting the Canon 5D Mark II to a lens. Do not treat this camera like it is a film body. Remember to mount the camera to the lens, not the opposite.
When choosing a lens for the Canon 5D Mark II camera you have to consider the look and feel that you are trying to create for the final visual product. My team and I have tested and played with these lenses quite a bit and here is…
Shooting in Puerto Rico has tested the Canon 5D Mark II with intense humidity and rain. Yet, every time the camera has delivered.
We shot running footage of motorcycles speeding down roads, splitting traffic, and near misses by literally gaffer taping the Canon 5D to the motorcycle.
The Canon 5D Mark II is approximately 2.5 pounds with a still lens, 4.5″ high 3″ deep and 6″ long. Wow!
It is nimble and inexpensive so you can have multiple camera bodies working in different configurations simultaneously. Not being stuck with a traditional shoulder mount allows you to create a new visual language.