For decades, the cinematography industry has operated under an unbreakable rule: if you want elite, large-format cinema glass with blisteringly fast apertures, you have to pay Hollywood prices. Building a set of Vista Vision primes that open up to T1.4 historically meant spending upwards of $20,000 per lens. It was a barrier to entry that […]
Tag Archive for: RED Komodo
The scene’s set, the talent’s ready, the light’s golden… and then the last charged battery runs out. Nearly everyone has one of these nightmares at least once—either while sleeping, or actually on set. On a fast-paced New York City run-and-gun shoot, a sudden power issue can be a massive blunder, eating through daylight and budget […]