DJI Ronin 4D Series: ActiveTrack and Sport Mode In the fourth installment of our DJI Ronin 4D Series, gimbal operator Jason Robbins showcases ActiveTrack mode with Shane Hurlbut, ASC assisting on the wheels with the dual operator setup. So far, they set up the Ronin 4D in lightweight handheld mode with the Flex cable installed. […]
Tag Archive for: prep
DJI Ronin 4D Series: FLEX Mode with Jib Arm Operating in Flex Mode on a jib arm allows for an additional range of mobility and supports complicated camera movement. Gimbal Operator Jason Robbins demonstrates how to best prepare the jib arm with a dual operator and execute the shot with precision. PRO TIP: If you […]
DJI RONIN 4D FLEX MODE SETUP GUIDE In this lesson, Gimbal Op Jason Robbins demonstrates how to set up the DJI Ronin 4D Flex before revealing its flexibility in action! The Flex allows you to separate from the main module with the Zenmuse X9 Gimbal for a lightweight and mobile handheld camera solution. PRO TIP: […]
Welcome to the DJI Ronin 4D Series. Throughout this series, a string of industry professionals reveal how to get the most out of your Ronin 4D. Gimbal Operator Jason Robbins considers the Ronin 4D one of the most versatile tools he’s ever worked with. In the first lesson, Jason shows you how to prepare it […]
This Cinema Prep Kit has been built to help you to beat the boredom while you are isolating. Beginning with Shane’s favorite books for inspiration, he will take you through the best cinematography books, apps and further lessons that we have made available for free as part of this kit!
We have so many new digital tools at our disposal that you cannot just pick them up and start shooting with them. Treat your new digital camera like a new film emulsion that needs testing.
After completing the Navy SEAL movie Act of Valor, my team and I created a workflow and camera […]
You are going to Dubai to shoot a motorcycle race that will require mobility and high speed.
Prepping a movie is one of the most important tasks you have as a cinematographer. You can design the whole movie-organize, create, and schedule it in a way that is best for light.
One week ago I was slated to do two amazing car commercials for the Bandito Brothers, one for Yokohama and the other for Hot Wheels. The spots both had a very unique style and approach. One would be shot with our hybrid 35mm motion picture film and […]