Post / Color Archives - Filmmakers Academy

Tag Archive for: Post / Color

Post Production

FILM EDITING MENTORSHIP – JOAQUIN ELIZONDO

Joaquin Elizondo created Hollywood Editing Mentor because he wanted to share knowledge and help other editors. When Joaquin relocated to Los Angeles, he had been working as an editor in broadcast media for 15 years (since 2002). Before even considering a mentorship, Joaquin thought he could reach his career goals alone. However, it wasn’t until […]

July 12, 2022/by Filmmakers Academy

Film Theory, The Look Of

The Look of Dune

Dune is a space epic set 10,000 years in the future that blends medieval and sci-fi aesthetics. The film is an adaptation of the 1965 Frank Herbert novel. The plot follows the 15-year old Paul Atreides (Timothée Chalamet) and House Atreides as they accept the stewardship of the desert planet Arrakis which carries the universe’s […]

December 8, 2021/by Filmmakers Academy

Announcements, Post Production

Post-Production Webinar: Protecting Your Image with Frame.io

This free recorded webinar from Shane Hurlbut, ASC and Michael Cioni reveal the secrets to maintaining your relationship with how your movie looks from concept to delivery, lens test to final product.

April 17, 2020/by Filmmakers Academy

Film Theory, Off Topic

Best Picture – Oscars 2020 – Interactive Article

Vote for your very own Best Picture Oscar 2020 and find out how voting happens for the Academy Awards in this article by HA writer Chris Haigh

January 13, 2020/by Filmmakers Academy

Post Production, Sponsored

Musicbed: Find Your Inspiration

I’d like to start by thanking Cody, Daniel and everyone at Musicbed for such an incredible community. We love all of your followers and everyone that’s a part of their company because it gives artists so many tools to create with. I’ve got some excerpts from an interview I had with Musicbed at NAB 2017 with added images and explanations to spice things up even more! Enjoy!

May 10, 2017/by Filmmakers Academy

Post Production, Production

HP Workstation Versus Apple Mac Pro

I want to show the comparisons of what most people would do with a Mac Pro in maxing it out, seeing the cost and then seeing what a nearly maxed out HP would be, for the same price point. The idea is that you wouldn’t have to max out an HP to get the performance you are looking for and you will be able to save a lot of money in doing so.

December 28, 2016/by Shane Hurlbut, ASC

Post Production, Production

Why Do We Color? The Role of the Digital Colorist

When I first started out as a colorist assistant, I thought the colorist’s job was primarily to set unique and interesting “looks” for music videos, commercials and feature films. Yes, that is certainly a major component, but once I began to sit in the colorist’s chair, I quickly realized there was so much more to it than that!

February 18, 2015/by Shane Hurlbut, ASC

Post Production, Production

Adobe Creative Cloud for the Indy Creative

A review of Adobe Creative Cloud for the independent creative

August 28, 2013/by Shane Hurlbut, ASC

Post Production, Production

Dark Energy for After Effects

Lance Maurer and his team at Cinnafilm developed the Dark Energy Suite, a revolutionary texture management system. This is how I was able to seamlessly cut film and the Canon 5D MkII together on Act of Valor.

May 22, 2013/by Shane Hurlbut, ASC

Adobe’s Al Mooney Hurlblog Interview Part II

In part II, Premiere Pro Product manager, Al Mooney, details the […]

October 6, 2011/by Shane Hurlbut, ASC

Adobe’s Al Mooney Hurlblog Interview Part I

An interview with Adobe’s Premiere Pro Product manager. He discusses Adobe’s […]

August 19, 2011/by Shane Hurlbut, ASC

Cinematography, Post Production

Dark Energy: Lightning in a Bottle for the HDSLR Revolution

Over the last 6 months, I have been under a Non-Disclosure Agreement (NDA) with a company out of […]

August 6, 2011/by Shane Hurlbut, ASC

Post Production, Production

Little Things Make the Big Difference – Editing in Adobe Premiere CS 5.5

About a month ago, Shane asked me to join the Elite Team as his editor. There’s an old saying: […]

July 1, 2011/by Shane Hurlbut, ASC

Cinematography, Post Production, Production

Technicolor’s New Picture Style- Cine Style

My last blog post was about story and not getting caught up in all the tech/gear frenzy. Now, I want to talk about […]

May 8, 2011/by Shane Hurlbut, ASC

Tiffen: Extraordinary Images with Water White Glass

When I was doing a Canon 5D film test in January of 2010, I put eight 5D’s in a line for this cool action camera array.

April 1, 2011/by Shane Hurlbut, ASC

Post Production, Production

Editing Shane by Vashi Nedomansky

The first time I met Shane was at Bandito Brothers last year, when he asked me to edit “The Last 3 Minutes.” I had worked for the Banditos as a freelance editor for 3 years and had cut […]

February 3, 2011/by Shane Hurlbut, ASC

Post Production

In Praise of Dissent: Adobe CS5 Paves The Way

Dissent: Voicing opinions that conflict with those that are commonly accepted or officially espoused.

When my Elite Team and I started blazing this trail, we had already become dissenters. We embraced a technology that in Hollywood was a joke, a fad, not viable. This is one of the great…

December 2, 2010/by Shane Hurlbut, ASC

Cinematography, Post Production, Production

HurlBlog Technology Guru: Mike McCarthy Part II

Here is the much anticipated post-production work flow blog that you have been asking for from Mike McCarthy, our technology guru. Please visit Mike’s site at hd4pc.com for even more in-depth technical information on the post-production work flow process.

April 24, 2010/by Shane Hurlbut, ASC

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