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Tag Archive for: Need for Speed

Post Production, Production

Loading a LUT with DaVinci Resolve: Part 4

Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.

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April 30, 2019/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2019/04/maxresdefault.jpg 720 1280 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2019-04-30 09:00:562022-04-08 12:14:23Loading a LUT with DaVinci Resolve: Part 4
Post Production, Production

Baked in Looks – Create 3D LUTs with DaVinci Resolve Part 1

Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.

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April 23, 2019/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2019/04/davinciresolve14_edit_page_rgb.jpg 562 1000 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2019-04-23 09:00:522022-04-08 12:14:23Baked in Looks – Create 3D LUTs with DaVinci Resolve Part 1
Film Theory

Colors in Filmmaking – What Do YOURS Represent?

How Color Archetypes can affect your work as a filmmaker. Understanding color archetypes takes time, but it’s manageable when applied with common sense.

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October 25, 2017/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2017/10/Pixel-Film-Studios-Colorist-levels-color-correction-FAQ-tutorial-help-description-final-cut-pro-x-2.gif 235 600 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2017-10-25 09:46:432022-04-08 12:19:41Colors in Filmmaking – What Do YOURS Represent?
Cinematography

Strength In Arms: The Matthews Infinity Arm

The Matthews Infinity Arm has the ability to be a tool that has some serious versatility. My favorite feature of this arm is that it can hold up to 32lbs in an angled position (it can hold about 15 lbs when it is horizontal). It will cost you a bit more, but this is the type of product you buy once.

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November 23, 2016/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2016/11/1249hi.jpg 360 420 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2016-11-23 09:49:432022-08-06 06:36:41Strength In Arms: The Matthews Infinity Arm
Cinematography

How to Expose your Canon Cinema EOS Platform for Filmmakers

How I go about understanding the exposure of a digital sensor, specifically with the Canon Cinema EOS Platform – finding its soul, its breaking point, as well as its deep and dark secrets that you cannot find in a Canon manual.

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June 17, 2015/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2015/06/image001_sm-1024x6031-1-1.jpg 603 1024 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2015-06-17 10:30:342022-06-30 14:41:20How to Expose your Canon Cinema EOS Platform for Filmmakers
Film Theory, Lighting

How to Use Indirect Bounce Light

It is incredible how just one light that is not direct, but bouncing off something, changes the mood and tone of your image. It doesn’t have to be from a bounce card; it can be a wall, a floor or a ceiling. Indirect light is one of my favorite lights to use. I feel it mimics what your eyes see because it is natural, soft, forgiving and beautiful.

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June 10, 2015/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2015/06/image0012-2.jpg 1080 1920 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2015-06-10 10:06:092022-06-30 21:00:37How to Use Indirect Bounce Light
Post Production, Production

Why Do We Color? The Role of the Digital Colorist

When I first started out as a colorist assistant, I thought the colorist’s job was primarily to set unique and interesting “looks” for music videos, commercials and feature films. Yes, that is certainly a major component, but once I began to sit in the colorist’s chair, I quickly realized there was so much more to it than that!

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February 18, 2015/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2015/02/pnF.gif 259 480 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2015-02-18 10:23:242022-02-10 17:26:35Why Do We Color? The Role of the Digital Colorist
Cinematography

Blackmagic 4K URSA Tests Part 1

Going inside the New Blackmagic URSA 4K Camera for Cinematic Capture

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December 17, 2014/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2014/12/image001_sm1-1.jpg 455 775 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2014-12-17 11:02:272022-02-10 17:26:37Blackmagic 4K URSA Tests Part 1
Cinematography

Blackmagic Cinema Camera: Putting It Through the Paces

More camera tests between the Blackmagic Cinema Camera, Arri Alexa and Sony F5

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June 4, 2014/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2014/06/image1_sm-1.jpg 768 1024 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2014-06-04 10:23:482022-02-10 17:26:41Blackmagic Cinema Camera: Putting It Through the Paces
Film Theory, Lighting

Need for Speed Lighting Breakdowns

Lighting car interiors at night. How I light, what choices I make with specific units, and why one lighting tool is selected over another.

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May 14, 2014/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2014/05/Production-1x1-1.jpg 1400 1400 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2014-05-14 10:06:362022-02-10 17:26:41Need for Speed Lighting Breakdowns
Cinematography, Film Theory, Production

Need For Speed: Innovation, Gear and Cinematography

This post give you insight into how we pulled everything off. Need for Speed was shot on four different camera sensors.

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March 13, 2014/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2014/03/ValidImpassionedBarracuda-size_restricted.gif 250 435 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2014-03-13 10:00:032022-02-10 17:32:00Need For Speed: Innovation, Gear and Cinematography
Cinematography, Film Theory

Turning Your GoPro Hero 3 into a Cinematic Movie Making Machine

We tested the GoPro Hero 3 and figured out what it would do best, which was immerse an audience like never before.

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March 6, 2014/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2014/03/giphy-21.gif 180 320 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2014-03-06 09:59:332022-07-26 17:21:39Turning Your GoPro Hero 3 into a Cinematic Movie Making Machine
Cinematography, Pre Production

Canon C500 vs. Film Camera Test

The Need for Speed camera test comparisons continue, with the Canon C500 vs. 35mm Kodak film stock.

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February 28, 2014/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2014/02/boxing_images_PanaVsC500_sm-1.jpg 864 1024 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2014-02-28 12:23:592022-06-30 20:59:24Canon C500 vs. Film Camera Test
Announcements

Find the GoPro in the Need for Speed Trailer

Thanks so much to everyone who gave it a shot and entered our Where’s the GoPro in the Need for Speed Trailer? contest. It wasn’t easy, but eight of you correctly answered all of the trivia questions and uploaded the two correct screenshots

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February 24, 2014/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2014/02/Go-Pro-Shot-1_sm-1.jpg 270 643 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2014-02-24 10:04:402022-09-02 04:03:16Find the GoPro in the Need for Speed Trailer
Film Theory, Production

The Power of a Stuntman in Need for Speed: No CGI Required

Need for Speed photography was done practically without the existence of CGI cars, planes, helicopters or virtual worlds and done with an elite group of professional drivers and extreme risk takers that put you in the driver seat at 180mph.

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January 15, 2014/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2014/01/need-for-speed-29-flip-him-hes-done-gif-wtf-saint-pauly.gif 250 600 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2014-01-15 10:00:532022-02-10 17:32:03The Power of a Stuntman in Need for Speed: No CGI Required
Cinematography

Podcast on Selecting Cameras for Need for Speed

The approach to selecting cameras for Need for Speed. It’s about each camera’s unique abilities and how to use those abilities to your advantage.

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April 30, 2013/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2013/04/MG_8784-1.jpg 1333 2000 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2013-04-30 10:02:422022-09-07 03:40:39Podcast on Selecting Cameras for Need for Speed
Cinematography, Film Theory, Pre Production

Digital Cinematography vs Film: Tides are Turning

As I embark on a long creative, exciting journey on Need for Speed with DreamWorks, I wanted to share some of my most recent findings from a five day camera test that pushed every camera to its breaking point.

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February 6, 2013/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2013/02/MG_8794-1.jpg 1024 683 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2013-02-06 11:16:562022-02-10 17:32:13Digital Cinematography vs Film: Tides are Turning

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