Color Black and White Aspect Ratio 1.19 : 1 Camera Panavision Panaflex Millennium XL2, Bausch & Lomb Baltar and Petzval Lenses Laboratory FotoKem Laboratory, Burbank (CA), USA (processing) Harbor Picture Company, New York (NY), USA (digital intermediate) Negative Format 35 mm (Eastman Double-X 5222) Cinematographic Process Digital Intermediate (4K) (master format) Spherical (source format) […]
The history of the film format in filmmaking, it’s importance in how we make films, why we should keep film alive, and where we cinematography is going with this medium.
Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
Throughout my career, I have been interested in using and mastering different mediums to enhance the storytelling experience. Since the dawn of cinema, movies have been captured on celluloid. As time progressed, we introduced new acquisition formats and film gauges like 8mm, 16mm, Super 8mm, 65mm, video tape, and digital video capture. Each new format registers a certain mood/feel due to past experiences with the medium or how it’s been utilized in the history of the moving image. So, how can you utilize different formats to enhance a story?
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Born in Los Angeles, CA.
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