How can I use the MōVI as a camera emotion to tell the story? The camera emotion thing is very important. I try to take every movie that I do, and attach some sort of specific camera emotion to each character.
The past two years have been truly amazing as we continue to grow Shane’s Inner Circle. Our vision becomes clearer every day, as filmmakers from all over the world have joined together to form an outstanding community of support, growth, and knowledge – where visionaries thrive and hone their skills to become better storytellers, better […]
This was the kind of day that you look at and say, “Oh, my God, how are you going to make this as a cinematographer?”
How to tie the sheepshank, one of my favorite knots for filmmaking because it’s a knot that you can easily tie, and it is so powerful.
With fluorescent lights, Kino Flo has always been the leader. These lights are easy to use and easy to control. They’re so lightweight that I use them for almost everything.
In this article, we are going to compare the Leica Summicron-C lenses to other lenses that are around the same price range, the Zeiss Ultra Primes.
Today I’m going to show you how to build the Matthews Brauer Hostess Tray Mount. This allows you to shoot with the camera on the mount with the car window up, unlike older mounts.
Kino Flo Celeb LED technology has become my go to fill, key, or ambient light because of their beautiful soft quality and their sensitive ability to change color temperature, as well as dim ability.
We’re going to compare the XEEN 24mm, 50mm, and 85mm lenses with the Canon CN-E, Zeiss CP.2, and our Cooke S4 lenses.
This article focuses on the Panasonic GH4 and its performance in the Latitude. This is incredibly important to have a solid understanding of what your latitude means and what it does for you.
@shanehurlbutasc Today we are doing a XEEN lens comparison test with the newly added 14mm and 35mm XEEN lenses. We’re going to compare these lenses with the Canon CN-E, Zeiss CP.2, and our Cooke S4 lenses. To do this, we rigged it up so that we have all four cameras rolling at the same time, […]
I’m giving you the keys to the secret of False Color. Understanding the values and how it relates to the image on the screen from the camera is key.
The ability to think quickly on your feet in a live broadcast environment is a direct connection to being on set and shooting talent or capturing a storyline. You have the luxury of getting it a second time or third time; very rarely do you do one take and move on. In live sports, you get one take, the only take.
We’re going to walk through how we built our Direct Network Storage Solution system here at Hurlbut Visuals.
Today we are comparing Leica Summicrons to Leica Summilux lenses. It’s important to compare lenses so you can really find how each lens reads your talent.
Tiffen’s Multi Rota Tray offers a rotating polarizer, a Variable ND and Warm/Cool FX filter.
I’ll show you how to tie a figure 8 knot for filmmaking. This knot is quick to tie and also very sturdy which is why it is essential for on set.
How we built a direct network storage solution foundation and base to work with, which is so incredibly important and crucial to your future growth in post-production.
The power of the Chimera Softbank is great if you don’t have a whole lot of gear. This light is a one-man band machine. It is a creamy beautiful machine you can use as a key light.
It’s always important to perform in depth lens tests before you shoot so you can find the right glass for your film. In this article, we are comparing Leica Summicron-C 21mm and 75mm lenses to Cooke S4 21mm and 75mm lenses.
RED has released a Standard OLPF filter and the results are shockingly great. The Standard OLPF filter enables the RED color space to fall in like the Alexa, which has become the benchmark of our industry.
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