Shane Hurlbut, ASC takes you through False color, one of the key building blocks of learning how to expose your digital negative.
Born in Los Angeles, CA.
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Tag Archive for: Flanders Scientific
Want to know the essentials that Shane Hurlbut ASC puts onto his cart? Here’s the man himself to lift the lid on what equipment he uses on set every day.
Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
Comparing XEEN 135mm next to Canon Cinema Primes, Zeiss CP2s, and Cooke S4i’s reviewing color rendition, bokeh, rack focus, faces, contrast, and sharpness.
I will take the URSA Mini to its breaking point and show you what it can do so you can make informed creative decisions in your storytelling.
I’m really excited today for Freefly’s latest announcement of the MōVI Pro. This device is going to change the landscape yet again. By Shane Hurlbut, ASC The MōVI has changed the way I create as a storyteller, allowing me to capture the emotion of a scene in ways I never could before. The MōVI has become […]
We’re going to compare the XEEN 24mm, 50mm, and 85mm lenses with the Canon CN-E, Zeiss CP.2, and our Cooke S4 lenses.
I’m giving you the keys to the secret of False Color. Understanding the values and how it relates to the image on the screen from the camera is key.
Once Lydia and I heard about this PSA project, we agreed immediately because we want to help children around the world who have been the victims of sexual exploitation.
I thought it would be really cool to take you through car mounts, and we are going to Need for Speed my Lexus with some really cool and innovative car mounts from Matthews.
It is incredible how just one light that is not direct, but bouncing off something, changes the mood and tone of your image. It doesn’t have to be from a bounce card; it can be a wall, a floor or a ceiling. Indirect light is one of my favorite lights to use. I feel it mimics what your eyes see because it is natural, soft, forgiving and beautiful.
Understand the RED Dragon’s breaking point with ISOs, IREs and Latitude. Know when to use the Skin Tone OLPF or the Low Light OLPF and as many myths that an artist can uncover will be revealed!
The master builds a camera design with forethought. They make it future proof; they think out of the box, providing a size that can intensify creativity and a workflow that doesn’t require terabytes of storage. The Dragon sensor has done this for the Epic. There is another camera that takes all that I just talked about and makes it even better. Your WEAPON of choice will be just that – the RED WEAPON, revealed at NAB. It is my camera of choice for my next project