As I embark on a long creative, exciting journey on Need for Speed with DreamWorks, I wanted to share some of my most recent findings from a five day camera test that pushed every camera to its breaking point.
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By Dan Liu. As an editor, it is the best feeling knowing that you will have great material to work with. After talking with Po and Shane, I was very excited about working on The Ticket, as I knew it would have great material in spades.
The Canon 5D Mark II opened the floodgates to new and creative filmmaking three years ago and is still going strong today. They remain a reliable workhorse for many cinematic options, particularly micro-budget, multi-camera shoots.
Imagine a world where the loader returns to the darkroom to process footage. The Codex Vault is just that.
Many people have approached me with questions about books that have inspired me as a filmmaker. We have compiled a list of valuable resources for you to use to expand your scope and vision.
As a cinematographer, movement is an integral part of conveying your creative vision and the storytelling process. Whether subtle or dramatic, it’s another tool in your box of creative options.
The Rosco View has increased my speed on location tenfold. Innovation, creation. I love what I do.
The Elite Team and I have been field testing different power and cable management systems. We have found that the best solution to power the Canon C500 and C300 are the Anton Bauer Dionic batteries, along with the Anton Bauer QRC-CA940 Gold Mount battery plate.
It has been a whirlwind since NAB, with all of the new emerging 4K technology and where this fits into the filmmaking process. Here are our tests with the Canon 1DC 4K DSLR camera.
My cinematography interns and I set out on a mission to showcase the many uses of a polarizing filter.
I love shooting commercials that make a difference and give back to local communities. Hurlbut Visuals recently collaborated with Vaughn Wedeen Kuhn to lens the next set of Department of Transportation spots for New Mexico.
The Elite Team and I have been using the HP Elitebook 8770w Mobile Workstation, and it has allowed us to reshape and slim down our workflow.
I am always in pursuit of new lighting technology, and this Rosco LitePad kit knocked me out with its size, versatility, color and punch.
How we shot the action sequences for a series of Trane AC commercials with extreme heat and a bus crash.
The running scene in “The Ticket” that uses my song “Those Kisses” reminds me why I got into the business of making music for films.
On The Ticket, the lighting was a challenge because we used natural, available light and shaped it. I turned lights off, then added accent lights to bring out the depth of a location.
When it comes to using a new camera like the Canon C300, I don’t do camera tests to see how it performs. I battle test it on location. When HBO came to me to shoot another promo for their TV series Game of Thrones, I used this as a chance to see if the C300 could hold its own in an interview setting alongside the benchmark for digital cinema capture: the Arri Alexa.
The current spot was for El Pollo Loco, and the concept was a very action oriented camera, with snap zooms and quick handheld push ins and pull outs. I thought the Canon C300 would be the perfect camera for this job, lightweight and maneuverable.
“Find us on Facebook.” “Follow me on Twitter.” We see social media everywhere these days and rightly so. Tools like Twitter, Facebook, YouTube, LinkedIn, Google+ and more can help small businesses, one man shops, and large brands grow and expand their contacts with clients and customers. This includes filmmakers. The opportunities are great for both raising funds online and for distributing your work.
Let’s look at how the crash cam world has changed because of the Canon 5D. It has replaced the eyemo that used to be a clapper of a 35 or 16mm with bad lenses. It could be blown up, bashed into, driven over, or you could even have a car land right on it.