Michael Cioni offers more golden nuggets of filmmaking on Collaboration and Quality of Pixels.
Tag Archive for: Film Education Online
We are continuing to release Michael Cioni’s presentation with the next two “golden nuggets.” Michael covers “#3 Future Proofing” and “#4 Price Per Frame.”
Even before a lens, we tested how we were going to deal with the IR pollution problem when shooting Into the Badlands.
I am going to take you through the four most essential knots in filmmaking and we start with the number one used knot in the movie business: the bowline.
I spoke at “Adobe Tips and Flicks” in 2012 about “out of the box” filmmaking with the Canon 5D MkII on Act of Valor.
The similarities of 16mm film and the Blackmagic Cinema Camera (BMCC) and why it is a great training ground for cinematographers.
What are your daily rituals and how do they increase your creativity and inspiration? Creativity takes cultivation and discipline to stay on top of your game.
Ryan Boran is an inspiration to the indie filmmaking community, and we want to congratulate him for getting selected for this month’s Filmmakers Spotlight.
Watch the “On the Couch” interview Lydia and I did with Nino Leitner at Cinegear.
With the release of the new Z27x and the Z24x monitors, we should look at what makes these babies different from the old workhorse that served as my eyes into the DSLR color space for over five years.
More camera tests between the Blackmagic Cinema Camera, Arri Alexa and Sony F5
Lighting car interiors at night. How I light, what choices I make with specific units, and why one lighting tool is selected over another.
From an extra, to an actor, to a runner, to a production assistant, then a camera assistant, and now as a cinematographer, James Oldham climbed the “film hierarchy” because he knew he needed to do everything and anything to get to where he wanted to be in the industry.
The CM 250 is a 24” OLED display that is crisp, clean and delivers beautiful blacks.
Tests with the newest Leica Summilux C lenses vs. the gold standard Cooke S4s for Fathers and Daughters.
This post give you insight into how we pulled everything off. Need for Speed was shot on four different camera sensors.
We tested the GoPro Hero 3 and figured out what it would do best, which was immerse an audience like never before.