Author: Patrick Moreau – Today I get to debut a very special film on Shane and Lydia. An untold story that has been 5 years in the making. I couldn’t be more excited to debut our short film on Shane and Lydia’s personal journey from farm boy to Hollywood cinematographer, and what they’ve learned along the way. If you enjoy this story, please check out the full series and podcast at TheRemarkableOnes.org.
Tag Archive for: Film Education Online
Welcome to our Zoom Lens Shootout! We are going to review the brand new Fujinon MK 50-135mm E Mount Cinema Zoom against the Tokina Cinema 50-135mm PL Mount Cinema Zoom. Right now, these lenses are falling into that $3,200 – $4,000 price range, which make them extremely affordable, lightweight, and flexible for most shooters – something that has been missing in our market with all the advancements in affordable tools and tech.
Imagine being able to have the fear work to your benefit. Fear is an emotion that has the potential to help us or harm us. If we recognize fear for what it is and move through it with action steps, fear can be very helpful. If we ruminate and stay stuck in fear, it is a huge roadblock to future success. These are the 4 C’s that will get you, and keep you, on the right track.
Since we started Hurlbut Visuals, giving back has been part of the company philosophy. We believe that no matter what you do, you give of your time and resources as a business. We’ve always been committed to helping children specifically, and from around the world, to help give them a voice, to help give them power. Please join us in helping children!
I had a blast working with Matthews Dutti Dolly. It made our shoot day so much easier – so much so, I wanted to share it with all of you.
One of my favorite types of light is remote phosphor. It’s incredibly powerful. Since this technology has been introduced to our industry, these lights have been taking over. It’s because of their ability to produce beautiful skin tones, their unbelievable brightness, and just how easy they make it to switch between 3200, 4300, 5600, chroma green and blue.
This project was a culmination of creation for Inner Circle member Andrew Batista, and I was excited to see where this would take his future as an artist.
Comparing XEEN 135mm next to Canon Cinema Primes, Zeiss CP2s, and Cooke S4i’s reviewing color rendition, bokeh, rack focus, faces, contrast, and sharpness.
Here’s an exclusive peek inside this Shane’s Inner Circle series on Rosco Diffusion. Go further in depth in shanesinnercirlce.com.
I’m going to share my location scout travel kit. No matter if I am in Los Angeles or I’m overseas in Prague, I’ve got both of these bags.
The Matthews Infinity Arm has the ability to be a tool that has some serious versatility. My favorite feature of this arm is that it can hold up to 32lbs in an angled position (it can hold about 15 lbs when it is horizontal). It will cost you a bit more, but this is the type of product you buy once.
I’m really excited today for Freefly’s latest announcement of the MōVI Pro. This device is going to change the landscape yet again. By Shane Hurlbut, ASC The MōVI has changed the way I create as a storyteller, allowing me to capture the emotion of a scene in ways I never could before. The MōVI has become […]
I’m going to give you ideas of where to start with your projects and how to create that look that you will capture in camera. This is so much more than any sort of “preserving the look” conversation or having anything to do with post-production. This is the foundation of the look, painting with light and your camera.
After I completed production on Season 1 of AMC’s “Into the Badlands,” I invited our Director, Guy Ferland, to accompany me during a speaking educational event at Revolution Cinema Rentals, here in Los Angeles. I wanted to talk about how we shaped the look and feel of the show, from pre-production all the way through […]
No matter what you’re trying to be in your career, there is one thing that never changes and stays true – the relationships you build. They are the most important aspect of your career.
I’m going to talk about how I light day exteriors and how I use specific types of lights to light day exteriors.
How can I use the MōVI as a camera emotion to tell the story? The camera emotion thing is very important. I try to take every movie that I do, and attach some sort of specific camera emotion to each character.
Shane Hurlbut, ASC talks about the process of working with directors and his work with Gabriele Muccino on the movie Fathers and Daughters.