We introduced Sherri Kauk to you with the first three videos of her presentation on “The Shooter’s Playbook.” We are continuing with the next three parts of her presentation. Sherri is an accomplished Director of Photography, Camera Operator and Gaffer. We are incredibly thrilled to showcase Sherri’s work as a talented female Director of Photography […]
Tag Archive for: Camera
Sherri’s presentation covers her work and style as a Director of Photography and Camera Operator, diving into the finer details of her approach to capturing the story with the camera and her lighting choices.
A breakdown of Alex Buono’s new show to help give some insight for those who haven’t heard about it yet, or are considering attending.
I was so excited to sit down for a conversation with Alex Buono, Co-Director and DP of the new IFC comedy series Documentary Now! and DP of the Saturday Night Live Film Unit. Alex really gives a sense of himself and shares pearls of wisdom from his years of experience on set.
Even as a Director of Photography, I am still very cognizant of other moving parts of a film. A major element of every film is the film’s score or music.
Today is a very exciting day as it is the first release of the Into the Badlands trailer for Comic Con. I wanted to share and show you what I have been creating over the last six months. Here is a glimpse of what we have been filming.
Sound Advice is very comprehensive for beginners, a great refresher and skill builder for intermediate enthusiasts and hobbyists, and even at the pro level, you’ll benefit and maybe even be blown away by some of the exercises.
MUSE takes you through the steps of story and character generation one element at a time utilizing many different methods, including video, printable worksheets, research exercises and personal consulting. The case studies in this pilot program apply directly to corporate, documentary and wedding filmmakers most directly but narrative storytellers
Understand the RED Dragon’s breaking point with ISOs, IREs and Latitude. Know when to use the Skin Tone OLPF or the Low Light OLPF and as many myths that an artist can uncover will be revealed!
Shaping light can add a 3D quality to your image. In this video, I will show you how you can create a window pattern in your background to create that depth.
Part 3 will show you the look and feel of the Olympus series of micro four third lenses on the GH4.
The master builds a camera design with forethought. They make it future proof; they think out of the box, providing a size that can intensify creativity and a workflow that doesn’t require terabytes of storage. The Dragon sensor has done this for the Epic. There is another camera that takes all that I just talked about and makes it even better. Your WEAPON of choice will be just that – the RED WEAPON, revealed at NAB. It is my camera of choice for my next project
Meet Elwood Quincey Walker, an up and coming Director, Writer and Editor. Last year he signed with the production company Adolescent Content.
I am going to take you through the four most essential knots in filmmaking and we start with the number one used knot in the movie business: the bowline.
G-RAID vs G-DRIVE- It all comes down to speed and performance. I think having the added speed and reliability to ensure future work makes for a solid choice.
When I first started out as a colorist assistant, I thought the colorist’s job was primarily to set unique and interesting “looks” for music videos, commercials and feature films. Yes, that is certainly a major component, but once I began to sit in the colorist’s chair, I quickly realized there was so much more to it than that!
Many of you have asked me to do tests on micro four thirds lenses, so I am holding to my promise to listen and deliver.
Guest blogger Jim Frohna describes working on the Amazon Prime hit show “Transparent” and shooting with the Canon C500.
Blackmagic URSA 4K tests with low light noise levels, skin tones and slow motion.