Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
Tag Archive for: Camera
Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
Time to let one of my best kept secrets out of the bag, “The Trash Can Fire light“! I thought I’d share my innovation and creation from Into the Badlands. It starts with a light that I don’t think a lot of you know exists. It’s an awesome light to have in your arsenal. It’s […]
How do you shoot your movies using all the different cameras? Join me as I demystify compression rates and articles and show how to use a bunch of different cameras to capture a scene as thoroughly and epically as possible.
Armando Ferreira, a popular YouTuber, filmmaker, and Inner Circle member, breaks down a simple lighting setup that doesn’t break the bank! One of Armando’s favorite affordable lights (Pictured below) is the Viltrox light. You can find it HERE: https://amzn.to/2ycFinN It provides a ton of light, is thin, and even BI COLOR! Definitely a great choice […]
My July podcast is all about camera technology from formats and exposure to the emotion and motivation of focus pulling and much more. Topics covered include: What it takes to capture the “cinematic” look and feel with your camera Selecting your next camera: the pros & cons of Panasonic GH4, Sony A7s, Canon 5D Mark […]
In today’s article, we’ll be taking a look at how to rig a shoulder mount for your camera. Shoulder mounts are a great run and gun style mount, or equally comfortable when operating on a dolly for a smooth but handheld feel. The best handheld sound camera I ever used was the Panavision Platinum […]
Full frame is the new darling of the cinematography world, but the larger frame means a lot of the glass we’ve been used to using just won’t cover…
On a feature right now shooting on the beautiful island of Ischia with one of my favorite directors Gabriele Muccino. We are shooting in all kinds of situations and as always, I’m able to turn to Freefly to let my creativity and ingenuity soar.
Take hold of your inspiration and run with it! If that’s one thing I can share with everyone, it is to not avoid what makes you tick as a filmmaker. That soul and essence will be what carries you to greater levels, not conforming to what everyone else wants in the moment, or looks for you to be. Stay true to your style, your passions, and what you want to get out of this industry.
How can I use the MōVI as a camera emotion to tell the story? The camera emotion thing is very important. I try to take every movie that I do, and attach some sort of specific camera emotion to each character.
This was the kind of day that you look at and say, “Oh, my God, how are you going to make this as a cinematographer?”
Today we are comparing Leica Summicrons to Leica Summilux lenses. It’s important to compare lenses so you can really find how each lens reads your talent.
I thought it would be really cool to take you through car mounts, and we are going to Need for Speed my Lexus with some really cool and innovative car mounts from Matthews.
The workflow I show you can be a guideline for how you can create your own setup at your new or growing company.
I am so excited to debut our new series Fearless Filmmakers that showcases the remarkable work of filmmakers who are setting the tone for the future of the industry as it continues to grow in the world today.
What is Infrared Pollution? How do you combat it? We have the answers for you.
Into the Badlands was the testing ground for many pieces of new gear. Pushing equipment to its breaking point is what we do on features. One of the tools that we took with us was BlueShape batteries.