Tiffen’s Multi Rota Tray offers a rotating polarizer, a Variable ND and Warm/Cool FX filter.
Tag Archive for: Director of Photography
I’ll show you how to tie a figure 8 knot for filmmaking. This knot is quick to tie and also very sturdy which is why it is essential for on set.
How we built a direct network storage solution foundation and base to work with, which is so incredibly important and crucial to your future growth in post-production.
RED has released a Standard OLPF filter and the results are shockingly great. The Standard OLPF filter enables the RED color space to fall in like the Alexa, which has become the benchmark of our industry.
Sherri’s presentation covers her work and style as a Director of Photography and Camera Operator, diving into the finer details of her approach to capturing the story with the camera and her lighting choices.
Even as a Director of Photography, I am still very cognizant of other moving parts of a film. A major element of every film is the film’s score or music.
Today is a very exciting day as it is the first release of the Into the Badlands trailer for Comic Con. I wanted to share and show you what I have been creating over the last six months. Here is a glimpse of what we have been filming.
On May 9th, Hurlbut Visuals hosted an educational event at Revolution Cinema Rentals where President and CEO of Light Iron, Michael Cioni and Director of Photography Sherri Kauk both gave presentations.
Even before a lens, we tested how we were going to deal with the IR pollution problem when shooting Into the Badlands.
A foundation in c-stand protocols, the so called rules, are essential to live by. In the right hands and with the right instruction, this baby will change the way you light.
Meet Elwood Quincey Walker, an up and coming Director, Writer and Editor. Last year he signed with the production company Adolescent Content.
G-RAID vs G-DRIVE- It all comes down to speed and performance. I think having the added speed and reliability to ensure future work makes for a solid choice.
Guest blogger Jim Frohna describes working on the Amazon Prime hit show “Transparent” and shooting with the Canon C500.
The similarities of 16mm film and the Blackmagic Cinema Camera (BMCC) and why it is a great training ground for cinematographers.
Ryan Boran is an inspiration to the indie filmmaking community, and we want to congratulate him for getting selected for this month’s Filmmakers Spotlight.
Watch the “On the Couch” interview Lydia and I did with Nino Leitner at Cinegear.
With the release of the new Z27x and the Z24x monitors, we should look at what makes these babies different from the old workhorse that served as my eyes into the DSLR color space for over five years.
More camera tests between the Blackmagic Cinema Camera, Arri Alexa and Sony F5
Lighting car interiors at night. How I light, what choices I make with specific units, and why one lighting tool is selected over another.