Hildur Guðnadóttir shot into the public eye last year winning an Emmy for her soundtrack to HBO’s Chernobyl and then recently with her Golden Globes win and Oscar Nomination for Todd Phillips’ Joker. What makes the former even more intriguing? Find out in this video essay and article by Hurlbut Academy writer, Chris Haigh
Movie-making – an American Dream “It ain’t about how hard you can hit, it’s about how hard you can get hit and keep moving forwards.” – Rocky Balboa When I think about movies, about why I wanted to be involved in making movies, I have a real sense of pride that America has always […]
Time to let one of my best kept secrets out of the bag, “The Trash Can Fire light“! I thought I’d share my innovation and creation from Into the Badlands. It starts with a light that I don’t think a lot of you know exists. It’s an awesome light to have in your arsenal. It’s […]
One of my most favorite ways of not only creating depth, but diffusion with smoke & haze. In this series I’m going to focus on what creates depth in an image, how to get it, and why it’s so important.
I had a blast working with Matthews Dutti Dolly. It made our shoot day so much easier – so much so, I wanted to share it with all of you.
This was the kind of day that you look at and say, “Oh, my God, how are you going to make this as a cinematographer?”
With fluorescent lights, Kino Flo has always been the leader. These lights are easy to use and easy to control. They’re so lightweight that I use them for almost everything.
It is incredible how just one light that is not direct, but bouncing off something, changes the mood and tone of your image. It doesn’t have to be from a bounce card; it can be a wall, a floor or a ceiling. Indirect light is one of my favorite lights to use. I feel it mimics what your eyes see because it is natural, soft, forgiving and beautiful.
Many of you have asked me to do tests on micro four thirds lenses, so I am holding to my promise to listen and deliver.
Tiffen has introduced a whole new line of filters for digital sensors and have shot a very in-depth 4K test that premiered at NAB this year,
Using stockings to add a glow, a pearlescent quality, to transport you to a time period that had a sense of glamor, when movie stars were king.
I designed a helmet mount for the Canon 5D Mark II with Gary Hatfied, Dan Owens from Panavision to capture the first person point of view action in a new way. The camera is extremely versatile with…
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