Dale Campbell of Still Moving Media guides you through using Davinci Resolve to edit, grade and finish audio on an advert for Aston Martin.
Born in Los Angeles, CA.
2023 © Hurlbut Visuals, All Rights Reserved.
Tag Archive for: DaVinci Resolve
Dale Campbell and Still Moving Media turn their attention to Lighting Effects for Davinci Resolve.
Dale Campbell and his team at Still Moving Media are back with the second part of their Doing It All In Davinci series and today they’re looking at Blackmagic Raw and Color Temperature.
Dale Campbell and Still Moving Media’s Doing It All In Davinci 6 part editing tutorial. Dale focuses on editing, color grading and a little bit on sound design using a video that his team filmed for the launch of Aston Martin’s latest car.
DaVinci Resolve revolutionized our post-production workflow for the Disney+ film Safety. Owned and developed by Blackmagic Design, DaVinci Resolve is a non-linear editing application that also specializes in color correction. But, its features and abilities go far beyond that. It puts everyone on the same track. One of DaVinci’s more impressive features is its ability […]
Dale Campbell of Still Moving Media guides you through using Davinci Resolve to edit, grade and finish audio on an advert for Aston Martin.
Dale Campbell and Still Moving Media turn their attention to Lighting Effects for Davinci Resolve.
Dale Campbell and Still Moving Media are now focusing on Tracking FX for Davinci Resolve.
Dale Campbell and Still Moving Media return with Part 3 of their Doing It All In Davinci series. This time they’re looking at Patch Replacement and Tracking.
Dale Campbell and his team at Still Moving Media are back with the second part of their Doing It All In Davinci series and today they’re looking at Blackmagic Raw and Color Temperature.
Dale Campbell and Still Moving Media’s Doing It All In Davinci 6 part editing tutorial. Dale focuses on editing, color grading and a little bit on sound design using a video that his team filmed for the launch of Aston Martin’s latest car.
Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
We’re going to walk through how we built our Direct Network Storage Solution system here at Hurlbut Visuals.
Understand the RED Dragon’s breaking point with ISOs, IREs and Latitude. Know when to use the Skin Tone OLPF or the Low Light OLPF and as many myths that an artist can uncover will be revealed!
The master builds a camera design with forethought. They make it future proof; they think out of the box, providing a size that can intensify creativity and a workflow that doesn’t require terabytes of storage. The Dragon sensor has done this for the Epic. There is another camera that takes all that I just talked about and makes it even better. Your WEAPON of choice will be just that – the RED WEAPON, revealed at NAB. It is my camera of choice for my next project
G-RAID vs G-DRIVE- It all comes down to speed and performance. I think having the added speed and reliability to ensure future work makes for a solid choice.