DaVinci Resolve Archives - Filmmakers Academy

Tag Archive for: DaVinci Resolve

Post Production, Sponsored

Blackmagic DaVinci Resolve Workflow – Disney+ Safety

DaVinci Resolve revolutionized our post-production workflow for the Disney+ film Safety. Owned and developed by Blackmagic Design, DaVinci Resolve is a non-linear editing application that also specializes in color correction. But, its features and abilities go far beyond that. It puts everyone on the same track. One of DaVinci’s more impressive features is its ability […]

January 27, 2021/by Shane Hurlbut, ASC

Post Production

Doing it all in Davinci – PART 5 – Lighting Effects

Dale Campbell and Still Moving Media turn their attention to Lighting Effects for Davinci Resolve.

April 12, 2020/by Filmmakers Academy

Post Production

Doing it all in Davinci – PART 4 – Power windows & Tracking

Dale Campbell and Still Moving Media are now focusing on Tracking FX for Davinci Resolve.

April 12, 2020/by Filmmakers Academy

Post Production

Doing it all in Davinci – PART 3 – Patch Replacer and Tracking FX

Dale Campbell and Still Moving Media return with Part 3 of their Doing It All In Davinci series. This time they’re looking at Patch Replacement and Tracking.

April 12, 2020/by Filmmakers Academy

Post Production

Doing it all in Davinci – Part 2 – Adjusting Color Temperature

Dale Campbell and his team at Still Moving Media are back with the second part of their Doing It All In Davinci series and today they’re looking at Blackmagic Raw and Color Temperature.

April 9, 2020/by Filmmakers Academy

Post Production

Doing it all in Davinci – PART 1 – Introduction to Editing

Dale Campbell and Still Moving Media’s Doing It All In Davinci 6 part editing tutorial. Dale focuses on editing, color grading and a little bit on sound design using a video that his team filmed for the launch of Aston Martin’s latest car.

April 9, 2020/by Filmmakers Academy

Post Production, Production

Loading a LUT with DaVinci Resolve: Part 4

Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.

April 30, 2019/by Shane Hurlbut, ASC

Post Production, Production

Create 3D LUTs to for an Artistic Look with DaVinci Resolve: Part 3

Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.

April 27, 2019/by Shane Hurlbut, ASC

Post Production, Production

RAW Footage Transformed to 3D LUTs with DaVinci Resolve: Part 2

Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.

April 25, 2019/by Shane Hurlbut, ASC

Post Production, Production

Baked in Looks – Create 3D LUTs with DaVinci Resolve Part 1

Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.

April 23, 2019/by Shane Hurlbut, ASC

Post Production

Post-Production: A Direct Network Storage Solution for Editing & Color Grading (Part 2)

We’re going to walk through how we built our Direct Network Storage Solution system here at Hurlbut Visuals.

January 20, 2016/by Shane Hurlbut, ASC

Extensive RED Dragon Sensor Tests: Part 2 – Basic

Understand the RED Dragon’s breaking point with ISOs, IREs and Latitude. Know when to use the Skin Tone OLPF or the Low Light OLPF and as many myths that an artist can uncover will be revealed!

April 8, 2015/by Shane Hurlbut, ASC

RED Dragon Test Part 1: Basic

The master builds a camera design with forethought. They make it future proof; they think out of the box, providing a size that can intensify creativity and a workflow that doesn’t require terabytes of storage. The Dragon sensor has done this for the Epic. There is another camera that takes all that I just talked about and makes it even better. Your WEAPON of choice will be just that – the RED WEAPON, revealed at NAB. It is my camera of choice for my next project

March 26, 2015/by Shane Hurlbut, ASC

Post Production, Production

G-Technology: G-RAID vs G-DRIVE

G-RAID vs G-DRIVE- It all comes down to speed and performance. I think having the added speed and reliability to ensure future work makes for a solid choice.

February 25, 2015/by Shane Hurlbut, ASC

Post Production, Production

Why Do We Color? The Role of the Digital Colorist

When I first started out as a colorist assistant, I thought the colorist’s job was primarily to set unique and interesting “looks” for music videos, commercials and feature films. Yes, that is certainly a major component, but once I began to sit in the colorist’s chair, I quickly realized there was so much more to it than that!

February 18, 2015/by Shane Hurlbut, ASC

Blackmagic 4K URSA Tests Part 1

Going inside the New Blackmagic URSA 4K Camera for Cinematic Capture

December 17, 2014/by Shane Hurlbut, ASC

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