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Born in Los Angeles, CA.
2024 © Hurlbut Visuals, All Rights Reserved.
Dale Campbell of Still Moving Media guides you through using Davinci Resolve to edit, grade and finish audio on an advert for Aston Martin.
Dale Campbell and Still Moving Media turn their attention to Lighting Effects for Davinci Resolve.
Dale Campbell and his team at Still Moving Media are back with the second part of their Doing It All In Davinci series and today they’re looking at Blackmagic Raw and Color Temperature.
Dale Campbell of Still Moving Media guides you through using Davinci Resolve to edit, grade and finish audio on an advert for Aston Martin.
Dale Campbell and Still Moving Media turn their attention to Lighting Effects for Davinci Resolve.
Dale Campbell and Still Moving Media are now focusing on Tracking FX for Davinci Resolve.
Dale Campbell and Still Moving Media return with Part 3 of their Doing It All In Davinci series. This time they’re looking at Patch Replacement and Tracking.
Dale Campbell and his team at Still Moving Media are back with the second part of their Doing It All In Davinci series and today they’re looking at Blackmagic Raw and Color Temperature.
Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
When I first started out as a colorist assistant, I thought the colorist’s job was primarily to set unique and interesting “looks” for music videos, commercials and feature films. Yes, that is certainly a major component, but once I began to sit in the colorist’s chair, I quickly realized there was so much more to it than that!
Ready to join?
Born in Los Angeles, CA.
2024 © Hurlbut Visuals, All Rights Reserved.