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Tag Archive for: Color Correction

Post Production, Recent Blog Posts

Where to Start with the Color Grade (Unlocked Lesson)

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December 13, 2022/by Filmmakers Academy
https://www.filmmakersacademy.com/wp-content/uploads/2022/12/Starting-Color-Grading-Thumbnail.jpg 450 800 Filmmakers Academy https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Filmmakers Academy2022-12-13 03:17:162022-12-14 18:12:45Where to Start with the Color Grade (Unlocked Lesson)
Post Production, The Look Of

The Color of Dune with David Cole

Master Colorist David Cole took some time out of his busy day at FotoKem to sit down and talk with us about the color of Dune. Part of this interview was featured in The Look of Dune, which we highly recommend if you’re curious about how Denis Villeneuve and his team pulled off their daring […]

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January 5, 2022/by Filmmakers Academy
https://www.filmmakersacademy.com/wp-content/uploads/2022/01/image21.jpg 527 1000 Filmmakers Academy https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Filmmakers Academy2022-01-05 05:18:052023-01-31 20:01:24The Color of Dune with David Cole
Announcements, Post Production

Post-Production Webinar: Protecting Your Image with Frame.io

This free recorded webinar from Shane Hurlbut, ASC and Michael Cioni reveal the secrets to maintaining your relationship with how your movie looks from concept to delivery, lens test to final product. 

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April 17, 2020/by Filmmakers Academy
https://www.filmmakersacademy.com/wp-content/uploads/2020/04/imktoqemmle-1.jpg 480 640 Filmmakers Academy https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Filmmakers Academy2020-04-17 14:08:472022-10-03 11:13:52Post-Production Webinar: Protecting Your Image with Frame.io
Post Production

Doing it all in Davinci – PART 1 – Introduction to Editing

Dale Campbell and Still Moving Media’s Doing It All In Davinci 6 part editing tutorial. Dale focuses on editing, color grading and a little bit on sound design using a video that his team filmed for the launch of Aston Martin’s latest car.

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April 9, 2020/by Filmmakers Academy
https://www.filmmakersacademy.com/wp-content/uploads/2020/04/Doing-it-all-in-Davinci-PART-1-Jog-wheel-1.png 290 512 Filmmakers Academy https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Filmmakers Academy2020-04-09 21:44:452022-10-03 11:13:55Doing it all in Davinci – PART 1 – Introduction to Editing
Post Production, Production

Loading a LUT with DaVinci Resolve: Part 4

Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.

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April 30, 2019/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2019/04/maxresdefault.jpg 720 1280 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2019-04-30 09:00:562022-04-08 12:14:23Loading a LUT with DaVinci Resolve: Part 4
Film Theory

Female Cinematographer Mentorship Program by Shane Hurlbut, ASC

5′ 4″ Megan Pham is working in Los Angeles for Shane Hurlbut, ASC, climbing up and down a 15 foot ladder, taking down Lekos rigged on the ceiling.

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October 14, 2015/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2015/10/image001_sm2-3.jpg 576 1024 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2015-10-14 10:10:072022-09-08 05:22:13Female Cinematographer Mentorship Program by Shane Hurlbut, ASC
Film Theory, Pre Production, Production

Alex Buono’s Visual Storytelling 2 Tour

A breakdown of Alex Buono’s new show to help give some insight for those who haven’t heard about it yet, or are considering attending.

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July 31, 2015/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2015/07/maxresdefault-8.jpg 720 1280 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2015-07-31 10:06:222022-02-10 17:26:28Alex Buono’s Visual Storytelling 2 Tour
Cinematography

How to Expose your Canon Cinema EOS Platform for Filmmakers

How I go about understanding the exposure of a digital sensor, specifically with the Canon Cinema EOS Platform – finding its soul, its breaking point, as well as its deep and dark secrets that you cannot find in a Canon manual.

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June 17, 2015/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2015/06/image001_sm-1024x6031-1-1.jpg 603 1024 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2015-06-17 10:30:342022-06-30 14:41:20How to Expose your Canon Cinema EOS Platform for Filmmakers
Cinematography

Extensive RED Dragon Sensor Tests: Part 2 – Basic

Understand the RED Dragon’s breaking point with ISOs, IREs and Latitude. Know when to use the Skin Tone OLPF or the Low Light OLPF and as many myths that an artist can uncover will be revealed!

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April 8, 2015/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2015/04/image001_sm-3.jpg 682 1024 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2015-04-08 11:54:202022-06-30 21:00:12Extensive RED Dragon Sensor Tests: Part 2 – Basic
Cinematography

Micro 4/3 Lenses that add Cinematic Imagery to your GH4 – Part 3

Part 3 will show you the look and feel of the Olympus series of micro four third lenses on the GH4.

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April 1, 2015/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2015/04/GH4.jpg 683 1024 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2015-04-01 10:04:142022-08-05 18:01:54Micro 4/3 Lenses that add Cinematic Imagery to your GH4 – Part 3
Cinematography

RED Dragon Test Part 1: Basic

The master builds a camera design with forethought. They make it future proof; they think out of the box, providing a size that can intensify creativity and a workflow that doesn’t require terabytes of storage. The Dragon sensor has done this for the Epic. There is another camera that takes all that I just talked about and makes it even better. Your WEAPON of choice will be just that – the RED WEAPON, revealed at NAB. It is my camera of choice for my next project

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March 26, 2015/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2015/03/image01-1024x683-1-1.jpg 683 1024 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2015-03-26 15:23:252022-06-30 20:59:36RED Dragon Test Part 1: Basic
Post Production, Production

Why Do We Color? The Role of the Digital Colorist

When I first started out as a colorist assistant, I thought the colorist’s job was primarily to set unique and interesting “looks” for music videos, commercials and feature films. Yes, that is certainly a major component, but once I began to sit in the colorist’s chair, I quickly realized there was so much more to it than that!

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February 18, 2015/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2015/02/pnF.gif 259 480 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2015-02-18 10:23:242022-02-10 17:26:35Why Do We Color? The Role of the Digital Colorist
Cinematography

How to Set Up Menus for Cinematic Capture on the Canon 1DC

Shane’s suggested menu settings for using the Canon 1DC as a cinematic movie maker.

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October 10, 2013/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2013/10/1dc_4kbf_sm-1.jpg 274 435 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2013-10-10 09:03:502022-02-10 17:32:07How to Set Up Menus for Cinematic Capture on the Canon 1DC
Cinematography, Post Production, Production

7 Tips for HD Color Correction and DSLR Color Correction

Color correction is just one step of the entire filmmaking process…but oh, what a difference it can make. You can […]

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January 20, 2012/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2012/01/UZ4v.gif 289 636 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2012-01-20 14:50:112022-08-19 01:06:337 Tips for HD Color Correction and DSLR Color Correction
Cinematography, Post Production

Technicolor’s New Picture Style: CineStyle

My last blog post was about story and not getting caught up in all the tech/gear frenzy. Now, I want to talk about […]

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May 8, 2011/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2011/05/technicolor-logo.jpg 562 1000 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2011-05-08 13:11:422022-08-19 00:13:41Technicolor’s New Picture Style: CineStyle
Cinematography

Tiffen: Extraordinary Images with Water White Glass

When I was doing a Canon 5D film test in January of 2010, I put eight 5D’s in a line for this cool action camera array.

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April 1, 2011/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2011/04/tumblr_ng46ddr3AZ1qkbj23o3_250.gif 245 245 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2011-04-01 11:54:102022-08-17 23:00:47Tiffen: Extraordinary Images with Water White Glass
Post Production, Production, Sponsored

HP LP2480zx Dreamcolor: Your Eyes In the DSLR Colorspace

When I began working on “Act of Valor” I was using an Asus 17” monitor to light with. When I got into the color correction bay, I noticed that I had over-lit scenes because the monitor was not seeing what the camera was ultimately seeing.

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December 19, 2010/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2010/12/dreamcolor-41-1.jpg 477 450 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2010-12-19 22:50:572022-08-17 19:36:35HP LP2480zx Dreamcolor: Your Eyes In the DSLR Colorspace
Post Production, Pre Production

Color Correction and Camera Color Balance

My first experience with the 5D DI color correction was for the Terminator Webisodes produced by the Bandito Brothers through Wonderland Sound and Vision. McG asked me to be the Director/Cameraman for these alternative marketing shorts that were going on the Internet.

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March 30, 2010/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2010/03/tech2.res_-1.jpg 379 800 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2010-03-30 02:22:392022-08-16 19:30:38Color Correction and Camera Color Balance

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Latest Blog Posts

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