This post give you insight into how we pulled everything off. Need for Speed was shot on four different camera sensors.
Tag Archive for: Cinematography
We tested the GoPro Hero 3 and figured out what it would do best, which was immerse an audience like never before.
The Need for Speed camera test comparisons continue, with the Canon C500 vs. 35mm Kodak film stock.
The accessorizing required to turn your Canon 1DC into a Movie Making Machine.
Shane Hurlbut, ASC discusses what HDSLR cameras and tools can do. Aquacam, helmet cam, stake cam, suction cups, the power of the sensor, and fuel for your creativity.
These seven books take you on my creative inspirational journey. The written word was added to my tool box and this is when my creativity expanded exponentially.
Understanding the characteristics of the microphones you own, and therefore knowing their strengths and limitations, is invaluable information used for achieving a great sound track for your production.
These extensive tests between the Red Epic and the Canon C500 were conducted over three days with seven other cameras.
Many of you have asked for feedback on your latest work of art. Here is your opportunity. We are now launching the HV Filmmaker’s Spotlight.
Here is the first of a three part series on the Arri Alexa vs. the Canon C500 in camera tests for Need for Speed.
A few weeks ago, I shot a run and gun style web series and the generous team over at Hive Lighting gave me one of their units to demo. Plasma light technology is pretty incredible.
Shutter angle is an important story-telling tool. As a Director of Photography, I love this technique and wanted to show you how I have used it to assist in the character’s emotional arc.
When you have a small team to tell your story, you need to find lights that do many things and provide many color temps. You need some that can focus and ones that are a broad source.
With the price decrease on the Blackmagic Cinema Camera, new functions, firmware upgrades and the anticipated delivery of the Pocket Cam, I thought it would be perfect timing to run more of the tests that I did for Need for Speed.
This week’s post will focus on the subject of DSLR cinema and a fantastic resource known by the same name – DSLR Cinema: Crafting the Film Look with Large Sensor Video Cameras.
Many of you requested information on the go to lighting package. Having a package that can do many types of lighting is the secret. Lights that can multi-task are my recipe for success.
A useful knot to know for filmmaking is the clove hitch knot. The clove hitch can grip anything, from round objects, to square objects, to rectangles, it can wrap around pretty much any shape.
Many people have asked about how I am processing these huge files from the Canon 1D C and its powerful 4K in camera capture. Here is how we roll it out.
Lance Maurer and his team at Cinnafilm developed the Dark Energy Suite, a revolutionary texture management system. This is how I was able to seamlessly cut film and the Canon 5D MkII together on Act of Valor.