Many of you have asked me to do tests on micro four thirds lenses, so I am holding to my promise to listen and deliver.
Tag Archive for: Cinematography
Guest blogger Jim Frohna describes working on the Amazon Prime hit show “Transparent” and shooting with the Canon C500.
Many of you ask, why MōVI? It comes down to the team behind the product, the support, the innovation, the forward thinking, the ability to future proof a product. Freefly Systems delivered.
I spoke at “Adobe Tips and Flicks” in 2012 about “out of the box” filmmaking with the Canon 5D MkII on Act of Valor.
Lighting techniques and camera composition is the focus of this course tailored to open your mind in new ways. I have designed this experience to be immersive, interactive and intimate using simple techniques to build confidence with any budget.
The similarities of 16mm film and the Blackmagic Cinema Camera (BMCC) and why it is a great training ground for cinematographers.
What are your daily rituals and how do they increase your creativity and inspiration? Creativity takes cultivation and discipline to stay on top of your game.
Budget-minded filmmaking forces you to solve your problems within limitations. However, given the importance of the visuals to engage the audience in the story, we needed creative control over every aspect of the film’s aesthetic.
Ryan Boran is an inspiration to the indie filmmaking community, and we want to congratulate him for getting selected for this month’s Filmmakers Spotlight.
Watch the “On the Couch” interview Lydia and I did with Nino Leitner at Cinegear.
With the release of the new Z27x and the Z24x monitors, we should look at what makes these babies different from the old workhorse that served as my eyes into the DSLR color space for over five years.
More camera tests between the Blackmagic Cinema Camera, Arri Alexa and Sony F5
Tiffen has introduced a whole new line of filters for digital sensors and have shot a very in-depth 4K test that premiered at NAB this year,
Lighting car interiors at night. How I light, what choices I make with specific units, and why one lighting tool is selected over another.
From an extra, to an actor, to a runner, to a production assistant, then a camera assistant, and now as a cinematographer, James Oldham climbed the “film hierarchy” because he knew he needed to do everything and anything to get to where he wanted to be in the industry.
The CM 250 is a 24” OLED display that is crisp, clean and delivers beautiful blacks.
Tests with the newest Leica Summilux C lenses vs. the gold standard Cooke S4s for Fathers and Daughters.