I’m going to share my location scout travel kit. No matter if I am in Los Angeles or I’m overseas in Prague, I’ve got both of these bags.
Tag Archive for: Cinematography
The Matthews Infinity Arm has the ability to be a tool that has some serious versatility. My favorite feature of this arm is that it can hold up to 32lbs in an angled position (it can hold about 15 lbs when it is horizontal). It will cost you a bit more, but this is the type of product you buy once.
Many of you have asked how you can help Lydia and me. Well, here it is. Help my best friend by visiting: http://buckwheathillfarm.com/
I’m really excited today for Freefly’s latest announcement of the MōVI Pro. This device is going to change the landscape yet again. By Shane Hurlbut, ASC The MōVI has changed the way I create as a storyteller, allowing me to capture the emotion of a scene in ways I never could before. The MōVI has become […]
I’m going to give you ideas of where to start with your projects and how to create that look that you will capture in camera. This is so much more than any sort of “preserving the look” conversation or having anything to do with post-production. This is the foundation of the look, painting with light and your camera.
After I completed production on Season 1 of AMC’s “Into the Badlands,” I invited our Director, Guy Ferland, to accompany me during a speaking educational event at Revolution Cinema Rentals, here in Los Angeles. I wanted to talk about how we shaped the look and feel of the show, from pre-production all the way through […]
No matter what you’re trying to be in your career, there is one thing that never changes and stays true – the relationships you build. They are the most important aspect of your career.
I’m going to talk about how I light day exteriors and how I use specific types of lights to light day exteriors.
How can I use the MōVI as a camera emotion to tell the story? The camera emotion thing is very important. I try to take every movie that I do, and attach some sort of specific camera emotion to each character.
Breaking into the film industry means not being scared of the failure. You gotta be fearless.
Shane Hurlbut, ASC talks about the process of working with directors and his work with Gabriele Muccino on the movie Fathers and Daughters.
How to tie the sheepshank, one of my favorite knots for filmmaking because it’s a knot that you can easily tie, and it is so powerful.
Today’s article explores the amazing tool that streamlines our collaboration process: Frame.io. Let’s get started! Creativity + Collaboration within an organization is key to growth and success. Today, we’re taking advantage of collaboration outside of the traditional confines of brick and mortar buildings. We communicate via email, text, social media messengers, and Snapchat. We may […]
The backbone of Musicbed’s most recent collaboration of “Vintage” music selections. Artists like Johnny Cash, Jerry Lee Lewis, Roy Orbison, and other successful musicians of the ‘50s,‘60s and ‘70s are a part of this collection.
Today I’m going to show you how to build the Matthews Brauer Hostess Tray Mount. This allows you to shoot with the camera on the mount with the car window up, unlike older mounts.
LOEV is big and beautiful, scarred and hopeful as it is, and I am so proud of the life it has taken. And LOEV is my movie as much as yours. When the audience takes it into their lives it becomes our story together.
Kino Flo Celeb LED technology has become my go to fill, key, or ambient light because of their beautiful soft quality and their sensitive ability to change color temperature, as well as dim ability.