We’re going to compare the XEEN 24mm, 50mm, and 85mm lenses with the Canon CN-E, Zeiss CP.2, and our Cooke S4 lenses.
Tag Archive for: Canon
@shanehurlbutasc Today we are doing a XEEN lens comparison test with the newly added 14mm and 35mm XEEN lenses. We’re going to compare these lenses with the Canon CN-E, Zeiss CP.2, and our Cooke S4 lenses. To do this, we rigged it up so that we have all four cameras rolling at the same time, […]
I’m giving you the keys to the secret of False Color. Understanding the values and how it relates to the image on the screen from the camera is key.
Tiffen’s Multi Rota Tray offers a rotating polarizer, a Variable ND and Warm/Cool FX filter.
The power of the Chimera Softbank is great if you don’t have a whole lot of gear. This light is a one-man band machine. It is a creamy beautiful machine you can use as a key light.
I thought it would be really cool to take you through car mounts, and we are going to Need for Speed my Lexus with some really cool and innovative car mounts from Matthews.
The workflow I show you can be a guideline for how you can create your own setup at your new or growing company.
I am so excited to debut our new series Fearless Filmmakers that showcases the remarkable work of filmmakers who are setting the tone for the future of the industry as it continues to grow in the world today.
What is Infrared Pollution? How do you combat it? We have the answers for you.
As a filmmaker, the best thing you can do is to create content and to get that content out there so people can see it. Creation + Delivery = Exposure.
Even as a Director of Photography, I am still very cognizant of other moving parts of a film. A major element of every film is the film’s score or music.
How I go about understanding the exposure of a digital sensor, specifically with the Canon Cinema EOS Platform – finding its soul, its breaking point, as well as its deep and dark secrets that you cannot find in a Canon manual.
Understand the RED Dragon’s breaking point with ISOs, IREs and Latitude. Know when to use the Skin Tone OLPF or the Low Light OLPF and as many myths that an artist can uncover will be revealed!
Shaping light can add a 3D quality to your image. In this video, I will show you how you can create a window pattern in your background to create that depth.
A foundation in c-stand protocols, the so called rules, are essential to live by. In the right hands and with the right instruction, this baby will change the way you light.
The master builds a camera design with forethought. They make it future proof; they think out of the box, providing a size that can intensify creativity and a workflow that doesn’t require terabytes of storage. The Dragon sensor has done this for the Epic. There is another camera that takes all that I just talked about and makes it even better. Your WEAPON of choice will be just that – the RED WEAPON, revealed at NAB. It is my camera of choice for my next project
Many of you have asked me to do tests on micro four thirds lenses, so I am holding to my promise to listen and deliver.
Guest blogger Jim Frohna describes working on the Amazon Prime hit show “Transparent” and shooting with the Canon C500.
Blackmagic URSA 4K tests with low light noise levels, skin tones and slow motion.