Happy holidays! Whether you seek the ideal gift for that filmmaker in your life or are yourself a filmmaker in pursuit of the best filmmaking deals, you’re in the right place. We’re rolling off Black Friday and Cyber Monday and into the holiday season. The bottom line is some deals dissolved while others changed. We […]
B&H are throwing a FLASH SALE for NAB and we’ve earmarked the BEST DEALS for you.
Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
The Canon C300 Mark II has a ton of impressive tech under the hood and is a major advancement over the original C300. It turned out to be a perfect complement to our small production crew for a variety of reasons. Best of all, the images are beautiful and it’s very easy to use.
Patrick Moreau and the entire Stillmotion team have an amazing project that we would like to share with you. Their hope with #standwithme was to blur the lines of traditional documentary storytelling.
This summer, my phone rang and my friend, Erica Tremblay, was on the other end of the […]
I overheard a conversation between a young cinematographer and a colorist going back and forth discussing the importance of 10 bit color or higher. I didn’t have time to interact then, so let me put my 2 cents in here and now. We have 8-bit, 10-bit, 12-bit, 16-bit, all these bits. I personally really do […]
Oh boy, we’ve got a whole SLEW of Canon Camera related questions this week. Let’s get into it! SIC Podcast EP. 9 is now live on iTunes! Submit your questions HERE. Podcast Questions: 1:13 How much image manipulation is done with the footage that comes from the Canon C500? When you spoke of the 5D […]
The new Monstro 8K VV sensor from RED is a beast. It’s a huge sensor, not just in resolution, but in size. So, I wanted to know how well certain lenses covered this big of a sensor.
Our members are what make Shane’s Inner Circle such an incredible filmmaking community. We want to celebrate their stories with this Spotlight Series. Today we are featuring Luca Ricci from Italy who shares his story of his first time on a feature set. Enjoy!
I asked our Inner Circle member Will Stewart to take BTS stills of our latest Inner Circle content shoot and to use the Fujifilm GFX 50S. This is his take on his experience shooting BTS of our Inner Circle content shoot.
Throughout my career, I have been interested in using and mastering different mediums to enhance the storytelling experience. Since the dawn of cinema, movies have been captured on celluloid. As time progressed, we introduced new acquisition formats and film gauges like 8mm, 16mm, Super 8mm, 65mm, video tape, and digital video capture. Each new format registers a certain mood/feel due to past experiences with the medium or how it’s been utilized in the history of the moving image. So, how can you utilize different formats to enhance a story?
The past two years have been truly amazing as we continue to grow Shane’s Inner Circle. Our vision becomes clearer every day, as filmmakers from all over the world have joined together to form an outstanding community of support, growth, and knowledge – where visionaries thrive and hone their skills to become better storytellers, better […]
This was the kind of day that you look at and say, “Oh, my God, how are you going to make this as a cinematographer?”
Shane Hurlbut, ASC talks about the process of working with directors and his work with Gabriele Muccino on the movie Fathers and Daughters.
With fluorescent lights, Kino Flo has always been the leader. These lights are easy to use and easy to control. They’re so lightweight that I use them for almost everything.
Today I’m going to show you how to build the Matthews Brauer Hostess Tray Mount. This allows you to shoot with the camera on the mount with the car window up, unlike older mounts.
We’re going to compare the XEEN 24mm, 50mm, and 85mm lenses with the Canon CN-E, Zeiss CP.2, and our Cooke S4 lenses.
Born in Los Angeles, CA.
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