Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
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2024 © Hurlbut Visuals, All Rights Reserved.
Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
This was the kind of day that you look at and say, “Oh, my God, how are you going to make this as a cinematographer?”
What is Infrared Pollution? How do you combat it? We have the answers for you.
How I go about understanding the exposure of a digital sensor, specifically with the Canon Cinema EOS Platform – finding its soul, its breaking point, as well as its deep and dark secrets that you cannot find in a Canon manual.
Understand the RED Dragon’s breaking point with ISOs, IREs and Latitude. Know when to use the Skin Tone OLPF or the Low Light OLPF and as many myths that an artist can uncover will be revealed!
The master builds a camera design with forethought. They make it future proof; they think out of the box, providing a size that can intensify creativity and a workflow that doesn’t require terabytes of storage. The Dragon sensor has done this for the Epic. There is another camera that takes all that I just talked about and makes it even better. Your WEAPON of choice will be just that – the RED WEAPON, revealed at NAB. It is my camera of choice for my next project
Many of you have asked me to do tests on micro four thirds lenses, so I am holding to my promise to listen and deliver.
Guest blogger Jim Frohna describes working on the Amazon Prime hit show “Transparent” and shooting with the Canon C500.
Blackmagic URSA 4K tests with low light noise levels, skin tones and slow motion.
I spoke at “Adobe Tips and Flicks” in 2012 about “out of the box” filmmaking with the Canon 5D MkII on Act of Valor.
This post give you insight into how we pulled everything off. Need for Speed was shot on four different camera sensors.
The Need for Speed camera test comparisons continue, with the Canon C500 vs. 35mm Kodak film stock.
Thanks so much to everyone who gave it a shot and entered our Where’s the GoPro in the Need for Speed Trailer? contest. It wasn’t easy, but eight of you correctly answered all of the trivia questions and uploaded the two correct screenshots
I have been asked by many of our readers to share details regarding my personal Gear Bag. I use a vast array of tools to be able to tell all types of stories. I wanted to break it down with detail.
These extensive tests between the Red Epic and the Canon C500 were conducted over three days with seven other cameras.
This week we take you through Canon C500 and Arri Alexa tests of IR Filtration, Interior Latitude, Night ISO, and Night Driving.
Here is the first of a three part series on the Arri Alexa vs. the Canon C500 in camera tests for Need for Speed.
The approach to selecting cameras for Need for Speed. It’s about each camera’s unique abilities and how to use those abilities to your advantage.
The Elite Team and I have been field testing different power and cable management systems. We have found that the best solution to power the Canon C500 and C300 are the Anton Bauer Dionic batteries, along with the Anton Bauer QRC-CA940 Gold Mount battery plate.
Ready to join?
Born in Los Angeles, CA.
2024 © Hurlbut Visuals, All Rights Reserved.