As a filmmaker, the best thing you can do is to create content and to get that content out there so people can see it. Creation + Delivery = Exposure.
I spoke at “Adobe Tips and Flicks” in 2012 about “out of the box” filmmaking with the Canon 5D MkII on Act of Valor.
Lighting techniques and camera composition is the focus of this course tailored to open your mind in new ways. I have designed this experience to be immersive, interactive and intimate using simple techniques to build confidence with any budget.
Budget-minded filmmaking forces you to solve your problems within limitations. However, given the importance of the visuals to engage the audience in the story, we needed creative control over every aspect of the film’s aesthetic.
I have been asked by many of our readers to share details regarding my personal Gear Bag. I use a vast array of tools to be able to tell all types of stories. I wanted to break it down with detail.
Shane Hurlbut, ASC discusses what HDSLR cameras and tools can do. Aquacam, helmet cam, stake cam, suction cups, the power of the sensor, and fuel for your creativity.
This week’s post will focus on the subject of DSLR cinema and a fantastic resource known by the same name – DSLR Cinema: Crafting the Film Look with Large Sensor Video Cameras.
Waiting for Lightning, a documentary about pro skateboarding pioneer Danny Way, began production in 2008. Over the course of those four years, the documentary would embrace the modern evolution of camera systems to complete the project.
The Canon 5D Mark II opened the floodgates to new and creative filmmaking three years ago and is still going strong today. They remain a reliable workhorse for many cinematic options, particularly micro-budget, multi-camera shoots.
Shane addresses the challenges of the HDSLR platform and helps find solutions to rolling shutter, moire and overheating.
I love shooting commercials that make a difference and give back to local communities. Hurlbut Visuals recently collaborated with Vaughn Wedeen Kuhn to lens the next set of Department of Transportation spots for New Mexico.
Last year, we made a series of six educational videos with B&H to cover everything from the settings we use on the Canon 5D Mark II to the kind of lenses and equipment I recommend.
How we shot the action sequences for a series of Trane AC commercials with extreme heat and a bus crash.
Let’s look at how the crash cam world has changed because of the Canon 5D. It has replaced the eyemo that used to be a clapper of a 35 or 16mm with bad lenses. It could be blown up, bashed into, driven over, or you could even have a car land right on it.
When director Scott Waugh called me to shoot the video for the “Act Of Valor” credit crawl song “For You” by Keith Urban, I was excited to have the opportunity to get the whole Elite Team back together. It was equally exciting to hear Keith’s amazing song, which supported the story perfectly.
We were in LA on February 25th for a screening of Act of Valor, followed by a panel discussion organized by Barry Anderson. Our friends from planet5D filmed the event, and we are embedding that video below.
We’ve had a ton of questions via Twitter, Facebook and the hurlblog about shooting Act of Valor, so I thought I would share them in a Q&A format. Thanks so much to everyone for your support and kind words about the film!
When Scotty Waugh and Mike “Mouse” McCoy, the incredible directing team at Bandito Brothers, asked me to shoot Act of Valor, I was excited, especially after listening to their unique vision for the making of this movie. I was ALL IN.
Since the invention of the Canon 5D, it has taken scouting to a whole new level and preparing that package that allows you can take advantage of serendipitous moments, lightning in a bottle so to speak, is essential.
Hello loyal readers, it’s Andrea here to discuss the cost differences between 35MM film and today’s easily accessible Canon DSLR […]
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