Patrick Moreau and the entire Stillmotion team have an amazing project that we would like to share with you. Their hope with #standwithme was to blur the lines of traditional documentary storytelling.
How I go about understanding the exposure of a digital sensor, specifically with the Canon Cinema EOS Platform – finding its soul, its breaking point, as well as its deep and dark secrets that you cannot find in a Canon manual.
This post give you insight into how we pulled everything off. Need for Speed was shot on four different camera sensors.
Thanks so much to everyone who gave it a shot and entered our Where’s the GoPro in the Need for Speed Trailer? contest. It wasn’t easy, but eight of you correctly answered all of the trivia questions and uploaded the two correct screenshots
I have been asked by many of our readers to share details regarding my personal Gear Bag. I use a vast array of tools to be able to tell all types of stories. I wanted to break it down with detail.
This week our focus is on adding the little bits that energize video village and make the Canon 1DC focus puller friendly.
The accessorizing required to turn your Canon 1DC into a Movie Making Machine.
Shane’s suggested menu settings for using the Canon 1DC as a cinematic movie maker.
Many people have asked about how I am processing these huge files from the Canon 1D C and its powerful 4K in camera capture. Here is how we roll it out.
How important it is to take your camera tests out of the studio and on to location. You want to see how your camera’s emulsion handles highlights, hot skies, night exteriors and night interiors.
It has been a whirlwind since NAB, with all of the new emerging 4K technology and where this fits into the filmmaking process. Here are our tests with the Canon 1DC 4K DSLR camera.
For the last two and a half months, I have been working with the amazing director Gil Cope on an incredible commercial campaign. Learn about giving back with the Warrior Wedding Project.
The running scene in “The Ticket” that uses my song “Those Kisses” reminds me why I got into the business of making music for films.
In this special edition of the Digital Convergence Podcast, Chris Fenwick delves deep into the mind and vision of Po Chan – a remarkable visual story teller, artist, and director of both “The Last Three Minutes” and “The Ticket.”
On The Ticket, the lighting was a challenge because we used natural, available light and shaped it. I turned lights off, then added accent lights to bring out the depth of a location.
We have had an outpouring of positive feedback on Po Chan’s film “The Ticket.” Everyone at Hurlbut Visuals wanted to give you an inside look at how we used the power of this incredibly flexible, lightweight, DSLR platform, the A camera system that is the 1DC. It gives any filmmaker the ability to dream.
When Canon approached me to test and shoot a short film for their new 1DC 4K DSLR, I was more than excited. After the first night of testing, one word came to mind. WOW!!!
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