In this Video Essay and supporting article, Hurlbut Academy looks at the look and cinematography of the 2019 smash hit movie “Joker”.
Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
This was the kind of day that you look at and say, “Oh, my God, how are you going to make this as a cinematographer?”
With fluorescent lights, Kino Flo has always been the leader. These lights are easy to use and easy to control. They’re so lightweight that I use them for almost everything.
How I go about understanding the exposure of a digital sensor, specifically with the Canon Cinema EOS Platform – finding its soul, its breaking point, as well as its deep and dark secrets that you cannot find in a Canon manual.
Understand the RED Dragon’s breaking point with ISOs, IREs and Latitude. Know when to use the Skin Tone OLPF or the Low Light OLPF and as many myths that an artist can uncover will be revealed!
Shaping light can add a 3D quality to your image. In this video, I will show you how you can create a window pattern in your background to create that depth.
The master builds a camera design with forethought. They make it future proof; they think out of the box, providing a size that can intensify creativity and a workflow that doesn’t require terabytes of storage. The Dragon sensor has done this for the Epic. There is another camera that takes all that I just talked about and makes it even better. Your WEAPON of choice will be just that – the RED WEAPON, revealed at NAB. It is my camera of choice for my next project
G-RAID vs G-DRIVE- It all comes down to speed and performance. I think having the added speed and reliability to ensure future work makes for a solid choice.
First up in our new series of gear reviews, the Panasonic Lumix DMC-GH4 with the interface unit that has the audio inputs, SDI outputs and full sized HDMI output.
I started giving a Leica list out to individual colleagues and the request kept coming, so we decided to share it with everyone on the blog. These lenses are only R-Mount, they are the cream of the crop and through variest test we have found them to be excellent.
It seems like everyone is jumping on the PL mount 7D bandwagon and I have to say it is very unfortunate that the 5D does not have the same energy. All the specs on a PL mounted 5D have shown that the vignette is a big issue. Most cinema lens…
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