Tag Archive for: Blueshape
Blueshape is not only a leading battery company that powers productions across the film industry, but it also empowers filmmakers to think eco-friendly. As a V-lock and Gold Mount battery manufacturer, Blueshape creates some of our favorite products from waterproof batteries to award-winning generators. In addition to outstanding products, Blueshape also leads the industry with […]
There’s no better time in the year to score big on huge savings than Black Friday weekend and Cyber Monday (which has expanded into an entire week!). Like a good filmmaker, you’ve waited all year for this moment, so now you can get what you need for a fraction of the cost. That’s why we […]
There are a million different factors that go into making a film. And if one of those factors goes wrong, like say your battery gives out during a crucial moment, it could prove to be the difference between a successful shoot or spending a treasure trove of money on reshoots. That’s where Blueshape comes in. […]
Join NAB show for a day in Hollywood for an interactive and community building experience where you can explore in-depth perspectives on emerging trends shaping the future of content creation.
Which Battery Is Best For Filmmakers? Shane Talk About His Personal Preference And Introduces A Big Giveaway From Blueshape.
One of the comments I hear all too often is, “4K is too sharp, it’s too much resolution.” Well, here’s the thing… resolution and sharpness are not a 1:1. Instead of thinking of higher resolution images as “sharper,” try thinking of them as smoother.
Matthews Studios announces K-Stacker II that allows you to mount up to three Kino Flo FreeStyle 31 LED Panels or two Kino Flo 4ft/4Banks in a tight array, helping you to create a single softlight source with ease.
The old era of doing things is gone. You no longer need to set up a crane for an overhead shot – just pop the MōVI on a stick. Don’t get stuck in the past, embrace the present, and think about the future.
Freefly has been instrumental in flipping the whole paradigm on how I shoot movies. It’s not about the trick shots, it’s more about figuring out how we can use this incredible device that Freefly has created, the MoVI, to shift the paradigm of how we make movies and how it change the dynamics within the movie making industry. Welcome to the future.
This is it – the latest battery pack power showdown. We have Blueshape’s new 140Wh Granite Mini V-Mount running against the Anton Bauer’s Digital 150.
Xeen’s lineup of lenses are spectacular. They’ve hit the nail square on the head with both the look and the price point. They’re true cinema glass that people can afford to own. Xeen’s image quality is unique and beautiful. Here’s a brief look at the Xeen 20mm, specifically at its image quality, breathing, and color rendition.
Today we’re taking a brief look at the new Xeen 16mm PL mount. This is a cinema lens packed into some affordable pricing. I haven’t seen anything like it out on the market. This is a piece of glass that has a unique look, comparable to some of the qualities normally found in higher end glass.
In a home, it’s very important to understand the etiquette of breakers, circuit boxes and your power needs. Eric Forand, Gaffer for Shane Hurlbut, ASC, takes you through the do’s and don’ts of household power distribution so your production can run smoothly and quickly!
Welcome to our Zoom Lens Shootout! We are going to review the brand new Fujinon MK 50-135mm E Mount Cinema Zoom against the Tokina Cinema 50-135mm PL Mount Cinema Zoom. Right now, these lenses are falling into that $3,200 – $4,000 price range, which make them extremely affordable, lightweight, and flexible for most shooters – something that has been missing in our market with all the advancements in affordable tools and tech.
I had a blast working with Matthews Dutti Dolly. It made our shoot day so much easier – so much so, I wanted to share it with all of you.
Comparing XEEN 135mm next to Canon Cinema Primes, Zeiss CP2s, and Cooke S4i’s reviewing color rendition, bokeh, rack focus, faces, contrast, and sharpness.
I will take the URSA Mini to its breaking point and show you what it can do so you can make informed creative decisions in your storytelling.
No matter what you’re trying to be in your career, there is one thing that never changes and stays true – the relationships you build. They are the most important aspect of your career.
Today I’m going to show you how to build the Matthews Brauer Hostess Tray Mount. This allows you to shoot with the camera on the mount with the car window up, unlike older mounts.
We’re going to compare the XEEN 24mm, 50mm, and 85mm lenses with the Canon CN-E, Zeiss CP.2, and our Cooke S4 lenses.