Blackmagic Design, the renowned innovator in video and filmmaking technology, has once again pushed the boundaries of what’s possible with the announcement of its latest product, the Blackmagic PYXIS Monitor. This versatile 5-inch HDR touchscreen monitor isn’t just another screen. It’s a comprehensive camera control solution designed to enhance your filmmaking experience with the Blackmagic […]
Cine Gear LA 2024 is upon us, and for filmmakers of all levels, it’s an unmissable event. From June 7th to 9th, Warner Bros. Studios will transform into a hub of innovation, showcasing the latest advancements in cinematography, lighting, grip, and more. But Cine Gear’s significance goes far beyond cutting-edge gear. It’s a breeding ground […]
Dale Campbell of Still Moving Media guides you through using Davinci Resolve to edit, grade and finish audio on an advert for Aston Martin.
Dale Campbell and Still Moving Media turn their attention to Lighting Effects for Davinci Resolve.
Dale Campbell and his team at Still Moving Media are back with the second part of their Doing It All In Davinci series and today they’re looking at Blackmagic Raw and Color Temperature.
Dale Campbell and Still Moving Media’s Doing It All In Davinci 6 part editing tutorial. Dale focuses on editing, color grading and a little bit on sound design using a video that his team filmed for the launch of Aston Martin’s latest car.
Dale Campbell of Still Moving Media guides you through using Davinci Resolve to edit, grade and finish audio on an advert for Aston Martin.
Dale Campbell and Still Moving Media turn their attention to Lighting Effects for Davinci Resolve.
Dale Campbell and Still Moving Media are now focusing on Tracking FX for Davinci Resolve.
Dale Campbell and Still Moving Media return with Part 3 of their Doing It All In Davinci series. This time they’re looking at Patch Replacement and Tracking.
Dale Campbell and his team at Still Moving Media are back with the second part of their Doing It All In Davinci series and today they’re looking at Blackmagic Raw and Color Temperature.
Dale Campbell and Still Moving Media’s Doing It All In Davinci 6 part editing tutorial. Dale focuses on editing, color grading and a little bit on sound design using a video that his team filmed for the launch of Aston Martin’s latest car.
The history of the film format in filmmaking, it’s importance in how we make films, why we should keep film alive, and where we cinematography is going with this medium.
Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
How are you transferring your footage from your camera to your drives? Do you plug the card into the reader, double click the icon on your desktop then just click, drag, and drop the folder onto a drive to copy your footage?
One of the comments I hear all too often is, “4K is too sharp, it’s too much resolution.” Well, here’s the thing… resolution and sharpness are not a 1:1. Instead of thinking of higher resolution images as “sharper,” try thinking of them as smoother.
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