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Tag Archive for: Blackmagic Design

Post Production

Doing it all in Davinci – PART 5 – Lighting Effects

Dale Campbell and Still Moving Media turn their attention to Lighting Effects for Davinci Resolve.

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April 12, 2020/by Filmmakers Academy
https://www.filmmakersacademy.com/wp-content/uploads/2020/04/Screen-Shot-2020-04-12-at-10.21.41-AM-1.png 828 2554 Filmmakers Academy https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Filmmakers Academy2020-04-12 13:42:552022-10-03 11:13:53Doing it all in Davinci – PART 5 – Lighting Effects
Post Production

Doing it all in Davinci – PART 4 – Power windows & Tracking

Dale Campbell and Still Moving Media are now focusing on Tracking FX for Davinci Resolve.

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April 12, 2020/by Filmmakers Academy
https://www.filmmakersacademy.com/wp-content/uploads/2020/04/bfy2ale-ttu-1.jpg 720 1280 Filmmakers Academy https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Filmmakers Academy2020-04-12 12:56:432022-10-03 11:13:53Doing it all in Davinci – PART 4 – Power windows & Tracking
Post Production

Doing it all in Davinci – PART 3 – Patch Replacer and Tracking FX

Dale Campbell and Still Moving Media return with Part 3 of their Doing It All In Davinci series. This time they’re looking at Patch Replacement and Tracking.

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April 12, 2020/by Filmmakers Academy
https://www.filmmakersacademy.com/wp-content/uploads/2020/04/alehtes8dws-1.jpg 720 1280 Filmmakers Academy https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Filmmakers Academy2020-04-12 12:37:562022-10-03 11:13:54Doing it all in Davinci – PART 3 – Patch Replacer and Tracking FX
Post Production

Doing it all in Davinci – Part 2 – Adjusting Color Temperature

Dale Campbell and his team at Still Moving Media are back with the second part of their Doing It All In Davinci series and today they’re looking at Blackmagic Raw and Color Temperature.

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April 9, 2020/by Filmmakers Academy
https://www.filmmakersacademy.com/wp-content/uploads/2020/04/Doing-it-all-in-Davinci-PART-1-Edit-wheels.png 846 1600 Filmmakers Academy https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Filmmakers Academy2020-04-09 21:51:122022-10-03 11:13:54Doing it all in Davinci – Part 2 – Adjusting Color Temperature
Post Production

Doing it all in Davinci – PART 1 – Introduction to Editing

Dale Campbell and Still Moving Media’s Doing It All In Davinci 6 part editing tutorial. Dale focuses on editing, color grading and a little bit on sound design using a video that his team filmed for the launch of Aston Martin’s latest car.

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April 9, 2020/by Filmmakers Academy
https://www.filmmakersacademy.com/wp-content/uploads/2020/04/Doing-it-all-in-Davinci-PART-1-Jog-wheel-1.png 290 512 Filmmakers Academy https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Filmmakers Academy2020-04-09 21:44:452022-10-03 11:13:55Doing it all in Davinci – PART 1 – Introduction to Editing
Film Theory

Film: The History of Celluloid in Filmmaking

The history of the film format in filmmaking, it’s importance in how we make films, why we should keep film alive, and where we cinematography is going with this medium.

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January 27, 2020/by Filmmakers Academy
https://www.filmmakersacademy.com/wp-content/uploads/2020/01/giphy-11.gif 350 500 Filmmakers Academy https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Filmmakers Academy2020-01-27 10:12:032022-07-26 11:18:29Film: The History of Celluloid in Filmmaking
Post Production, Production

Loading a LUT with DaVinci Resolve: Part 4

Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.

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April 30, 2019/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2019/04/maxresdefault.jpg 720 1280 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2019-04-30 09:00:562022-04-08 12:14:23Loading a LUT with DaVinci Resolve: Part 4
Post Production, Production

Create 3D LUTs to for an Artistic Look with DaVinci Resolve: Part 3

Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.

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April 27, 2019/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2019/04/DaVinci-Res-en-md.jpg 553 1000 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2019-04-27 09:00:092022-04-08 12:14:23Create 3D LUTs to for an Artistic Look with DaVinci Resolve: Part 3
Post Production, Production

RAW Footage Transformed to 3D LUTs with DaVinci Resolve: Part 2

Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.

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April 25, 2019/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2019/04/DaVinciResolve14_Deliver_page_rgb.jpg 761 1400 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2019-04-25 09:00:232022-04-08 12:14:23RAW Footage Transformed to 3D LUTs with DaVinci Resolve: Part 2
Post Production, Production

Baked in Looks – Create 3D LUTs with DaVinci Resolve Part 1

Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.

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April 23, 2019/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2019/04/davinciresolve14_edit_page_rgb.jpg 562 1000 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2019-04-23 09:00:522022-04-08 12:14:23Baked in Looks – Create 3D LUTs with DaVinci Resolve Part 1
Post Production

Clone. Don’t Copy: How to Save Your Assets

How are you transferring your footage from your camera to your drives? Do you plug the card into the reader, double click the icon on your desktop then just click, drag, and drop the folder onto a drive to copy your footage?

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April 4, 2018/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2018/04/200.gif 200 266 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2018-04-04 21:21:202022-08-05 17:29:41Clone. Don’t Copy: How to Save Your Assets
Cinematography, Film Theory

Resolution is Not Sharpness! Which Is More Important?

One of the comments I hear all too often is, “4K is too sharp, it’s too much resolution.” Well, here’s the thing… resolution and sharpness are not a 1:1. Instead of thinking of higher resolution images as “sharper,” try thinking of them as smoother.

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March 30, 2018/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2018/03/1487082900_giphy-49.gif 510 450 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2018-03-30 14:47:592022-04-08 12:19:37Resolution is Not Sharpness! Which Is More Important?
Announcements

Luca Ricci – Filmmakers Academy Spotlight

Our members are what make Shane’s Inner Circle such an incredible filmmaking community. We want to celebrate their stories with this Spotlight Series. Today we are featuring Luca Ricci from Italy who shares his story of his first time on a feature set. Enjoy!

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March 15, 2018/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2018/03/Luca.png 452 603 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2018-03-15 11:54:102022-08-05 23:30:42Luca Ricci – Filmmakers Academy Spotlight
Post Production, Production

HP Workstation Versus Apple Mac Pro

I want to show the comparisons of what most people would do with a Mac Pro in maxing it out, seeing the cost and then seeing what a nearly maxed out HP would be, for the same price point. The idea is that you wouldn’t have to max out an HP to get the performance you are looking for and you will be able to save a lot of money in doing so.

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December 28, 2016/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2016/12/image04-4-1.jpg 720 1280 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2016-12-28 09:45:352022-08-06 06:15:29HP Workstation Versus Apple Mac Pro
Cinematography

Blackmagic URSA Mini Test Part 3: Day ISO/Finding Native

I will take the URSA Mini to its breaking point and show you what it can do so you can make informed creative decisions in your storytelling.

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December 23, 2016/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2016/12/ursa-mini-pro-doc-style-1.jpg 1080 1920 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2016-12-23 09:36:512022-04-08 12:19:51Blackmagic URSA Mini Test Part 3: Day ISO/Finding Native
Film Theory

Building a Color Palette In Your Film

I’m going to give you ideas of where to start with your projects and how to create that look that you will capture in camera. This is so much more than any sort of “preserving the look” conversation or having anything to do with post-production. This is the foundation of the look, painting with light and your camera.

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September 28, 2016/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2016/09/giphy-15.gif 297 500 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2016-09-28 09:45:152022-08-07 04:26:09Building a Color Palette In Your Film
Production

Live Broadcast Production Teaches You to Be a Better Storytelling Director and DP

The ability to think quickly on your feet in a live broadcast environment is a direct connection to being on set and shooting talent or capturing a storyline. You have the luxury of getting it a second time or third time; very rarely do you do one take and move on. In live sports, you get one take, the only take.

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February 10, 2016/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2016/02/Live-Broadcast-1.jpg 1333 2000 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2016-02-10 11:50:332022-08-12 22:29:03Live Broadcast Production Teaches You to Be a Better Storytelling Director and DP
Post Production

Post-Production: A Direct Network Storage Solution for Editing & Color Grading (Part 2)

We’re going to walk through how we built our Direct Network Storage Solution system here at Hurlbut Visuals.

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January 20, 2016/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2016/01/giphy-27.gif 500 500 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2016-01-20 09:54:352022-08-07 21:12:59Post-Production: A Direct Network Storage Solution for Editing & Color Grading (Part 2)
Post Production

Post-Production: A Direct Network Storage Solution for Editing & Color Grading (Part 1)

How we built a direct network storage solution foundation and base to work with, which is so incredibly important and crucial to your future growth in post-production.

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December 16, 2015/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2015/12/giphy-28.gif 240 400 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2015-12-16 10:05:222022-08-07 21:03:41Post-Production: A Direct Network Storage Solution for Editing & Color Grading (Part 1)
Cinematography

How to Use the Freedom Car Mount, Powered Matthews Studio Equipment

I thought it would be really cool to take you through car mounts, and we are going to Need for Speed my Lexus with some really cool and innovative car mounts from Matthews.

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November 11, 2015/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2015/11/image0053-1.jpg 539 959 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2015-11-11 10:06:042022-06-30 21:02:05How to Use the Freedom Car Mount, Powered Matthews Studio Equipment
Cinematography

What is IR Pollution and How Do You Combat it? Using Tiffen’s Academy Award Winning IR Filters

What is Infrared Pollution? How do you combat it? We have the answers for you.

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October 7, 2015/by Shane Hurlbut, ASC
https://www.filmmakersacademy.com/wp-content/uploads/2015/10/Exposure-1x1-1.jpg 1400 1400 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2015-10-07 10:00:302022-08-08 10:15:56What is IR Pollution and How Do You Combat it? Using Tiffen’s Academy Award Winning IR Filters
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