Color Black and White Aspect Ratio 1.19 : 1 Camera Panavision Panaflex Millennium XL2, Bausch & Lomb Baltar and Petzval Lenses Laboratory FotoKem Laboratory, Burbank (CA), USA (processing) Harbor Picture Company, New York (NY), USA (digital intermediate) Negative Format 35 mm (Eastman Double-X 5222) Cinematographic Process Digital Intermediate (4K) (master format) Spherical (source format) […]
Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
What is Infrared Pollution? How do you combat it? We have the answers for you.
How I go about understanding the exposure of a digital sensor, specifically with the Canon Cinema EOS Platform – finding its soul, its breaking point, as well as its deep and dark secrets that you cannot find in a Canon manual.
This week we take you through Canon C500 and Arri Alexa tests of IR Filtration, Interior Latitude, Night ISO, and Night Driving.
Here is the first of a three part series on the Arri Alexa vs. the Canon C500 in camera tests for Need for Speed.
For the last two and a half months, I have been working with the amazing director Gil Cope on an incredible commercial campaign. Learn about giving back with the Warrior Wedding Project.
When it comes to using a new camera like the Canon C300, I don’t do camera tests to see how it performs. I battle test it on location. When HBO came to me to shoot another promo for their TV series Game of Thrones, I used this as a chance to see if the C300 could hold its own in an interview setting alongside the benchmark for digital cinema capture: the Arri Alexa.
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