arri alexa Archives - Filmmakers Academy

The Look Of The Lighthouse

Color Black and White Aspect Ratio 1.19 : 1 Camera Panavision Panaflex Millennium XL2, Bausch & Lomb Baltar and Petzval Lenses Laboratory FotoKem Laboratory, Burbank (CA), USA (processing) Harbor Picture Company, New York (NY), USA (digital intermediate) Negative Format 35 mm (Eastman Double-X 5222) Cinematographic Process Digital Intermediate (4K) (master format) Spherical (source format) […]

February 6, 2020/by Filmmakers Academy

Loading a LUT with DaVinci Resolve: Part 4

Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.

April 30, 2019/by Shane Hurlbut, ASC

Post Production, Production

RAW Footage Transformed to 3D LUTs with DaVinci Resolve: Part 2

Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.

April 25, 2019/by Shane Hurlbut, ASC

Post Production, Production

Baked in Looks – Create 3D LUTs with DaVinci Resolve Part 1

Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.

April 23, 2019/by Shane Hurlbut, ASC

Cinematography

What is IR Pollution and How Do You Combat it? Using Tiffen’s Academy Award Winning IR Filters

What is Infrared Pollution? How do you combat it? We have the answers for you.

October 7, 2015/by Shane Hurlbut, ASC

Cinematography

How to Expose your Canon Cinema EOS Platform for Filmmakers

How I go about understanding the exposure of a digital sensor, specifically with the Canon Cinema EOS Platform – finding its soul, its breaking point, as well as its deep and dark secrets that you cannot find in a Canon manual.

June 17, 2015/by Shane Hurlbut, ASC

Cinematography

Blackmagic 4K URSA Tests Part 1

Going inside the New Blackmagic URSA 4K Camera for Cinematic Capture

December 17, 2014/by Shane Hurlbut, ASC

Cinematography

Arri Alexa vs. Canon C500 Camera Test – Part 2

This week we take you through Canon C500 and Arri Alexa tests of IR Filtration, Interior Latitude, Night ISO, and Night Driving.

October 30, 2013/by Shane Hurlbut, ASC

Cinematography

In Depth Tests: Arri Alexa vs. Canon C500

Here is the first of a three part series on the Arri Alexa vs. the Canon C500 in camera tests for Need for Speed.

October 24, 2013/by Shane Hurlbut, ASC

Announcements, Off Topic

Giving Back: The Warrior Wedding Project

For the last two and a half months, I have been working with the amazing director Gil Cope on an incredible commercial campaign. Learn about giving back with the Warrior Wedding Project.

August 8, 2012/by Shane Hurlbut, ASC

Cinematography

Dueling Canon C300 and Arri Alexa

When it comes to using a new camera like the Canon C300, I don’t do camera tests to see how it performs. I battle test it on location. When HBO came to me to shoot another promo for their TV series Game of Thrones, I used this as a chance to see if the C300 could hold its own in an interview setting alongside the benchmark for digital cinema capture: the Arri Alexa.

April 6, 2012/by Shane Hurlbut, ASC

The Look Of The Lighthouse

Loading a LUT with DaVinci Resolve: Part 4

RAW Footage Transformed to 3D LUTs with DaVinci Resolve: Part 2

Baked in Looks – Create 3D LUTs with DaVinci Resolve Part 1

What is IR Pollution and How Do You Combat it? Using Tiffen’s Academy Award Winning IR Filters

How to Expose your Canon Cinema EOS Platform for Filmmakers

Blackmagic 4K URSA Tests Part 1

Arri Alexa vs. Canon C500 Camera Test – Part 2

In Depth Tests: Arri Alexa vs. Canon C500

Giving Back: The Warrior Wedding Project

Dueling Canon C300 and Arri Alexa

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