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Lighting techniques and camera composition is the focus of this course tailored to open your mind in new ways. I have designed this experience to be immersive, interactive and intimate using simple techniques to build confidence with any budget.
The similarities of 16mm film and the Blackmagic Cinema Camera (BMCC) and why it is a great training ground for cinematographers.
Budget-minded filmmaking forces you to solve your problems within limitations. However, given the importance of the visuals to engage the audience in the story, we needed creative control over every aspect of the film’s aesthetic.
With the release of the new Z27x and the Z24x monitors, we should look at what makes these babies different from the old workhorse that served as my eyes into the DSLR color space for over five years.
Tiffen has introduced a whole new line of filters for digital sensors and have shot a very in-depth 4K test that premiered at NAB this year,
This post give you insight into how we pulled everything off. Need for Speed was shot on four different camera sensors.
Thanks so much to everyone who gave it a shot and entered our Where’s the GoPro in the Need for Speed Trailer? contest. It wasn’t easy, but eight of you correctly answered all of the trivia questions and uploaded the two correct screenshots
I have been asked by many of our readers to share details regarding my personal Gear Bag. I use a vast array of tools to be able to tell all types of stories. I wanted to break it down with detail.
Need for Speed photography was done practically without the existence of CGI cars, planes, helicopters or virtual worlds and done with an elite group of professional drivers and extreme risk takers that put you in the driver seat at 180mph.
This week our focus is on adding the little bits that energize video village and make the Canon 1DC focus puller friendly.
The accessorizing required to turn your Canon 1DC into a Movie Making Machine.
These extensive tests between the Red Epic and the Canon C500 were conducted over three days with seven other cameras.
This week we take you through Canon C500 and Arri Alexa tests of IR Filtration, Interior Latitude, Night ISO, and Night Driving.
Here is the first of a three part series on the Arri Alexa vs. the Canon C500 in camera tests for Need for Speed.
Shane’s suggested menu settings for using the Canon 1DC as a cinematic movie maker.
When you have a small team to tell your story, you need to find lights that do many things and provide many color temps. You need some that can focus and ones that are a broad source.
This week’s post will focus on the subject of DSLR cinema and a fantastic resource known by the same name – DSLR Cinema: Crafting the Film Look with Large Sensor Video Cameras.
As filmmakers, we have such an opportunity to tell small stories like Richard’s and it doesn’t take a lot of gear.
The approach to selecting cameras for Need for Speed. It’s about each camera’s unique abilities and how to use those abilities to your advantage.
Greg is dedicated to producing a great monitor. He’s fascinated with what his clients are doing with HP’s products, and he’s always looking for improvements.