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How To Be a Film Grip
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How To Light High Key Commercials
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How To Light a Horror Film
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How to Shoot a Beer Commercial
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Advanced Commercial Directing
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How To Light Day Interiors Vol 2
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How To Light Night Interiors Vol 1
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Commercial Cinematography: Owning the Night
Lighting cars at night can be a challenge, especially for commercial cinematography. You want to make a great impression and get the job done right. There are a lot of questions you first need to ask yourself. Namely, what camera and lenses should you choose? Then, how do you light fast-moving shots at night? This […]
How to Shoot Sports Cinematography
The magic of cinema evokes emotion through feeling visceral moments that put you in the headspace of the protagonist.
Light Quality: What Is The Best Light for the Job?
This month, we’re taking a deep plunge into lighting! Get ready, we’re taking your lighting technique to the next level, including commentary on essential tools, how to light large spaces, power your lights, and work with Chimera soft banks, Rosco LitePads, and DIY lighting. Play it here: February 2015 Podcast Members can submit podcast questions, […]
Loading a LUT with DaVinci Resolve: Part 4
Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
Baked in Looks – Create 3D LUTs with DaVinci Resolve Part 1
Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
Learn filmmaking online from industry experts
We capped off 2018 by looking at the American film industry, at those who dared to dream and in doing so changed filmmakers’ worlds for the better. If you didn’t see it, it’s right here. This first post of 2019 begins with the same theme – dreams; the dreams we have here at Filmmakers Academy […]
Judging A Film By Its COVERAGE
A while ago I got a question about coverage from a member in Australia (everyone sing “he comes from a land down-under!”): “Hi Shane, I’m a weekend warrior filmmaker, and I have a reasonable grip on the shooting side, but I’m trying to understand the construction of an average 100 minute film. I’ve dissected […]
Matching Cameras to Create One Image
How do you shoot your movies using all the different cameras? Join me as I demystify compression rates and articles and show how to use a bunch of different cameras to capture a scene as thoroughly and epically as possible.
Lighting in Any Situation – Cinematic Results NOW
In this podcast, we really wanted to focus on the importance of lighting. If you want to rise up the ranks as a director of photography, you need to learn the principles of what makes good and bad lighting.
Colors in Filmmaking – What Do YOURS Represent?
How Color Archetypes can affect your work as a filmmaker. Understanding color archetypes takes time, but it’s manageable when applied with common sense.