Filmmaking Advice: On Set Of Fathers and Daughters (Day 10)
This was the kind of day that you look at and say, “Oh, my God, how are you going to make this as a cinematographer?”
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The Vintage Collection on Musicbed
The backbone of Musicbed’s most recent collaboration of “Vintage” music selections. Artists like Johnny Cash, Jerry Lee Lewis, Roy Orbison, and other successful musicians of the ‘50s,‘60s and ‘70s are a part of this collection.
Why Do We Color? The Role of the Digital Colorist
When I first started out as a colorist assistant, I thought the colorist’s job was primarily to set unique and interesting “looks” for music videos, commercials and feature films. Yes, that is certainly a major component, but once I began to sit in the colorist’s chair, I quickly realized there was so much more to it than that!
New Zealand Cinematographer Andrew Stroud
Meet Andrew Stroud, a filmmaker from New Zealand.
My Go To Lighting Package Part Two: The Basics
When you have a small team to tell your story, you need to find lights that do many things and provide many color temps. You need some that can focus and ones that are a broad source.
Shane Hurlbut’s Go To Lighting Package
Many of you requested information on the go to lighting package. Having a package that can do many types of lighting is the secret. Lights that can multi-task are my recipe for success.
Diffusion for the Digital Age: Using Fogal Stockings On Your Lens
Using stockings to add a glow, a pearlescent quality, to transport you to a time period that had a sense of glamor, when movie stars were king.