If you are not happy with the results below please do another search
When I was a kid, I had a fascination with Halloween. Our son, Myles, has inherited this same […]
“Have a safe flight. Someone from production will pick you up.” How many strange […]
After completing the Navy SEAL movie Act of Valor, my team and I created a workflow and camera […]
When director Peter Odiorne asked me to shoot Sports Authority “Shoe,” the […]
Over the last 6 months, I have been under a Non-Disclosure Agreement (NDA) with a company out of […]
My dear friend Frieder Hochheim of Kino Flo Lighting goes into the history of his innovative, forward-thinking, eco-friendly company. Kino Flo first began renting out of a small van in the 80s and now is the industry leader in every light that delivers soft, controllable fluorescent technology. Watch the interview Frieder and the future: Their […]
We employed Technicolor’s Cinestyle on its maiden voyage. This picture style seemed to work well in […]
This year, I had the privilege of experiencing NAB from Montreal while shooting my latest feature “Deadfall.”
It is so sad saying goodbye to Montreal. I love this amazing city. The crew was the […]
You are going to Dubai to shoot a motorcycle race that will require mobility and high speed.
In May of last year I was hired to shoot a web interactive game for Yahoo sports in the LA Coliseum. The Director Jason Zada…
When I was doing a Canon 5D film test in January of 2010, I put eight 5D’s in a line for this cool action camera array.
In January of 2011, I was asked by “The Gentlemen,” Brett Snider and Billy Federighi, a very creative and humorous, directing at Bandito Brothers, to shoot a series […]
When I started to prep “Act of Valor” in April of 2009, we were using Canon glass on the first 2 days of shooting. The hot girls on deck and the interrogation scene […]
When I began working on “Act of Valor” I was using an Asus 17” monitor to light with. When I got into the color correction bay, I noticed that I had over-lit scenes because the monitor was not seeing what the camera was ultimately seeing.
The first job that I ever shot with the Canon 5D was as Director and DP on a webisode series that Director of “Terminator Salvation” McG asked me to do. We produced these webisodes as part of the “Terminator Salvation” marketing campaign to be used…
Here is a little instructional video from our Hurlbut Visuals HDSLR Bootcamp. A huge thanks to editor Chris Fenwick (Slice Editorial) for taking the time to cut this footage!
I have talked in the past about the power of the hybrid approach. Taking the best from still photography and the best from motion picture photography and colliding them….
When I started the 5 week Marine’s commercial two months ago, I knew we would be in wide open spaces as well as tight quarters on the Amphibious Assault Destroyer. The project required gear that was versatile, so I turned to Kessler Crane’s CineSlider. NAB was where I…
I am on the road again directing for Bandito Brothers www.banditobrothers.com/ and loving it. As a filmmaker, I am taking advantage of this inspiring, creative tool (a 5D camera) while stretching the budget. Our goal is to show the influence of the Marines around the globe while…
I started giving a Leica list out to individual colleagues and the request kept coming, so we decided to share it with everyone on the blog. These lenses are only R-Mount, they are the cream of the crop and through variest test we have found them to be excellent.
Born in Los Angeles, CA.
2025 © Hurlbut Visuals, All Rights Reserved.
