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“How do you seamlessly stitch a one shot sequence together using multiple shots?” This is a great question because not many cinematographers break it down. These are just a few of tips from Shane Hurlbut, ASC to get you in the pocket for the perfect “oner.” Shane’s Inner Circle members received his full in-depth guide to one shot sequences as part of their monthly subscription in June 2017. Sign up today and never miss articles like this to enhance your filmmaking!
Back in April, I met with Musicbed at their NAB Show booth to have a 1-on-1 discussion. Musicbed has become such a powerful tool for filmmakers, musicians, and artists alike. It’s always a great time to visit with them and it was such a pleasure to be interviewed by them at NAB. This is the 2nd half of the interview, the first half was released right here on The Hurlblog. Enjoy!!
Imagine being able to have the fear work to your benefit. Fear is an emotion that has the potential to help us or harm us. If we recognize fear for what it is and move through it with action steps, fear can be very helpful. If we ruminate and stay stuck in fear, it is a huge roadblock to future success. These are the 4 C’s that will get you, and keep you, on the right track.
This project was a culmination of creation for Inner Circle member Andrew Batista, and I was excited to see where this would take his future as an artist.
I want to show the comparisons of what most people would do with a Mac Pro in maxing it out, seeing the cost and then seeing what a nearly maxed out HP would be, for the same price point. The idea is that you wouldn’t have to max out an HP to get the performance you are looking for and you will be able to save a lot of money in doing so.
LOEV is big and beautiful, scarred and hopeful as it is, and I am so proud of the life it has taken. And LOEV is my movie as much as yours. When the audience takes it into their lives it becomes our story together.
We’re going to walk through how we built our Direct Network Storage Solution system here at Hurlbut Visuals.
How we built a direct network storage solution foundation and base to work with, which is so incredibly important and crucial to your future growth in post-production.
The workflow I show you can be a guideline for how you can create your own setup at your new or growing company.
Chimera is one of my favorite lighting modifiers, and we are going to go into building one of my favorites, called the pancake. It has amazing control, and you’re able to do a lot of unique applications with this tool.
The master builds a camera design with forethought. They make it future proof; they think out of the box, providing a size that can intensify creativity and a workflow that doesn’t require terabytes of storage. The Dragon sensor has done this for the Epic. There is another camera that takes all that I just talked about and makes it even better. Your WEAPON of choice will be just that – the RED WEAPON, revealed at NAB. It is my camera of choice for my next project
G-RAID vs G-DRIVE- It all comes down to speed and performance. I think having the added speed and reliability to ensure future work makes for a solid choice.
Many of you have asked me to do tests on micro four thirds lenses, so I am holding to my promise to listen and deliver.
Guest blogger Jim Frohna describes working on the Amazon Prime hit show “Transparent” and shooting with the Canon C500.
Many of you ask, why MōVI? It comes down to the team behind the product, the support, the innovation, the forward thinking, the ability to future proof a product. Freefly Systems delivered.
First up in our new series of gear reviews, the Panasonic Lumix DMC-GH4 with the interface unit that has the audio inputs, SDI outputs and full sized HDMI output.
With the release of the new Z27x and the Z24x monitors, we should look at what makes these babies different from the old workhorse that served as my eyes into the DSLR color space for over five years.
Welcome to the Hurlbut Visuals Blackmagic Cinema Camera Tiffen Variable ND test.
Shane’s suggested menu settings for using the Canon 1DC as a cinematic movie maker.
A few weeks ago, I shot a run and gun style web series and the generous team over at Hive Lighting gave me one of their units to demo. Plasma light technology is pretty incredible.