Need for Speed photography was done practically without the existence of CGI cars, planes, helicopters or virtual worlds and done with an elite group of professional drivers and extreme risk takers that put you in the driver seat at 180mph.
As the pressure from commercial production companies and the ad agencies started to inquire about needing 24p and that they could not deal with the rendering time of all the twixtor files, the 7D started to rise as the premium capture. That is when the aha moment happened for me. I thought, why is everyone asking for second best when the Canon 5D is king.
