Dolly Shot

Shot taken from a camera placed on equipment with wheels, used mainly for moving shots.

Freefly MōVI: Shifting the Paradigm – Part 2
The old era of doing things is gone. You no longer need to set up a crane for an overhead shot - just pop the MōVI on a stick. Don’t get stuck in the past, embrace the present, and think about the future.
Kessler Crane CineSlider Performance On Set and Off
When I started the 5 week Marine’s commercial two months ago, I knew we would be in wide open spaces as well as tight quarters on the Amphibious Assault Destroyer. The project required gear that was versatile, so I turned to Kessler Crane's CineSlider. NAB was where I...
The Look Of The Irishman
Following the groundbreaking success of The Look Of Joker, Hurlbut Academy's team turn to Scorsese's The Irishman for the next deep cinematography break down video and article

July 16, 2021/by Filmmakers Academy

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Freefly MōVI: Shifting the Paradigm – Part 2
The old era of doing things is gone. You no longer need to set up a crane for an overhead shot - just pop the MōVI on a stick. Don’t get stuck in the past, embrace the present, and think about the future.
Kessler Crane CineSlider Performance On Set and Off
When I started the 5 week Marine’s commercial two months ago, I knew we would be in wide open spaces as well as tight quarters on the Amphibious Assault Destroyer. The project required gear that was versatile, so I turned to Kessler Crane's CineSlider. NAB was where I...
The Look Of The Irishman
Following the groundbreaking success of The Look Of Joker, Hurlbut Academy's team turn to Scorsese's The Irishman for the next deep cinematography break down video and article

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Dolly Shot

Shot taken from a camera placed on equipment with wheels, used mainly for moving shots.

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