How To

Light Day Interiors

Volume I

SHANE HURLBUT ASC

How To

Light Day Interiors

Volume I

SHANE HURLBUT ASC

10 Lessons

1+ hours of
instructional video

Access PDF
assets

10 Lessons

1+ hours of
instructional video

Access PDF
assets

Learn how to light an interior day scene.

Cinematography: Day Interiors Vol. I unpacks the necessary steps to learn the ideal quality and quantity of light, color contrast, and false-color exposure techniques, along with the ability to balance interior and exterior lighting with ease.

In this daylight interiors masterclass, you’ll learn how to finesse each stroke of light as if you were painting on a canvas by identifying your lighting mood and tone, choosing locations, selecting proper lenses, and more!

Course Includes:

Detailed written breakdowns 

Top-down lighting schematics 

Side by side comparisons

View Trailer

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Look Inside The Course

  • Shane Hurlbut teaches light - How To Light Day Interiors Vol 1
  • Filmmakers filming How To Light Day Interiors Vol 1
  • Shane Hurlbut controlling day light - How to Light Day Interiors Vol 1
  • Lighting Diagram for How To Light Day Interiors Vol 1 - Filmmakers Academy

Modules

  • How To Light a Day Interior Scene: Location Scouting
  • How To Light a Day Interior Scene: Part 1
  • How To Light a Day Interior Scene: Part 2
  • How To Light a Day Interior Scene: Part 3
  • How To Light a Day Interior Scene: Part 4
  • How To Replicate Midday Interior Light: Into the Badlands
  • How To Replicate Early Morning Interior Light: Into the Badlands
  • How To Light Large Day Interiors: Father and Daughters
  • How To Block and Light Small Locations: Fathers and Daughters Part 2
  • How To Keep Consistent Lighting in Day Interiors: Fathers and Daughters

About The Mentor

Director of photography Shane Hurlbut, ASC works at the forefront of cinema as a storyteller, innovator and discerning collaborator, who brings more than three decades of experience to his art. He is a member of the American Society of Cinematographers, the International Cinematographers Guild/Local 600, and The Academy of Motion Picture Arts and Sciences.

Some of his film credits include: We Are Marshall, Terminator: Salvation, Need for Speed, Act of Valor, Semi-Pro, The Greatest Game Ever Played, Into the Blue, Mr 3000, among many others. 

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