Go On Set:

fathers and Daughters

SHANE HURLBUT ASC

Go on Set:

Fathers and Daughters

SHANE HURLBUT ASC

20 Lessons

2.5 hours of
instructional video

Access PDF
assets

20 Lessons

2.5 hours of
instructional video

Access PDF
assets

Go on set with Shane Hurlbut to learn the nuances of filming drama

Go On Set: Fathers and Daughters follows Shane Hurlbut, ASC, who serves as your virtual mentor. This course is the next best thing to accompanying Shane on set. From the point of walking onto a location for the first time to the way he communicates with the director, you’ll see how they transform an ordinary place into something extraordinarily cinematic.

On top of collaborating with the director, expect to learn about blocking and the visual language that corresponds with it. Plus, with the use of lighting schematics, you’ll see how and why Shane positions his lights and how he handles the curve balls thrown his way, whether it be by the director, the production schedule, or Mother Nature.

Course Includes:

Movie Clips

Detailed Written Breakdowns

Top-Down Blocking + Lighting Schematics

Script Pages

Camera Breakdown Templates

Lighting List Templates

Side by Side Comparisons

Modules

  • How To Block and Light Small Locations: Fathers and Daughters Part 1
  • How To Block and Light Small Locations: Fathers and Daughters Part 2
  • How To Light Large Day Interiors: Fathers and Daughters
  • How To Keep Consistent Lighting in Day Interiors: Fathers and Daughters
  • How To Replicate Late Afternoon Light On Stage: Fathers and Daughters
  • Lighting for Emotion: Fathers and Daughters
  • How To Create Emotional Impact with Color Temperature: Fathers and Daughters
  • How To Light with Practical Sources: Fathers and Daughters
  • How To Lead Your Team in Tough Climates: Fathers and Daughters
  • How To Control Natural Light: Fathers and Daughters
  • How To Use a MōVI for Narrative Storytelling: Fathers and Daughters
  • How To Plan Plot and Execute One Shot Sequences: Fathers and Daughters Part 1
  • How To Plan Plot and Execute One Shot Sequences: Fathers and Daughters Part 2
  • Using a Dolly to Block a Scene: Fathers and Daughters
  • Understanding Camera Placement: Fathers and Daughters
  • What Handheld Camera Tells an Audience: Fathers and Daughters
  • How To Block and Light for Three Cameras: Fathers and Daughters Part 1
  • How To Block and Light for Three Cameras: Fathers and Daughters Part 2
  • When To Sacrifice Lighting for the Performance: Fathers and Daughters

About The Mentor

Director of photography Shane Hurlbut, ASC works at the forefront of cinema as a storyteller, innovator and discerning collaborator, who brings more than three decades of experience to his art. He is a member of the American Society of Cinematographers, the International Cinematographers Guild/Local 600, and The Academy of Motion Picture Arts and Sciences.

Some of his film credits include: We Are Marshall, Terminator: Salvation, Need for Speed, Act of Valor, Semi-Pro, The Greatest Game Ever Played, Into the Blue, Mr 3000, among many others. 

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