• Content Library
  • Shop
  • Pricing
  • Blog
  • Subscribe Now
  • Login
  • Search
  • Menu Menu
Cinematography

Act of Valor: Out of the Box Filmmaking

Man cam in the fire on set of Act of Valor

Many of you have asked for videos of my speaking appearances. We are working on editing some of these for release in the Inner Circle. However, I remembered we had a very insightful interview from 2012 about out-of-the-box filmmaking…

Act of Valor – Out of the Box Filmmaking

In February 2012, I spoke at “Adobe Tips and Flicks” in Washington, DC about “out of the box” filmmaking with the Canon 5D MkII on Act of Valor. It reveals some of the trailblazing we did to be the first studio film shot primarily on DSLR and addresses the challenges faced with this then-new camera.

Enjoy. Hello from Sydney, Australia, where I am speaking tonight about pushing the boundaries again, shooting Need for Speed and Fathers and Daughters on the Canon C500.

Schedule 1-on-1 Video Call with Shane Hurlbut, ASC

Looking for mentorship in the film industry? Schedule a 1-on-1 meeting with Shane Hurlbut, ASC today! This is where you can get expert advice from an industry professional on your career or a particular project. 

About Filmmakers Academy Cinematographer Mentor Shane Hurlbut, ASC

Director of photography Shane Hurlbut, ASC works at the forefront of cinema. He’s a storyteller, innovator, and discerning collaborator, who brings more than three decades of experience to his art. He is a member of the American Society of Cinematographers, the International Cinematographers Guild/Local 600, and The Academy of Motion Picture Arts and Sciences.

Hurlbut frequently joins forces with great directors: McG’s Netflix Rim of the World and The Babysitter, plus Warner Bros. We Are Marshall and Terminator: Salvation; Scott Waugh’s Need for Speed and Act of Valor; and Gabriele Muccino’s There Is No Place Like Home and Fathers and Daughters. His additional film credits include Semi-Pro; The Greatest Game Ever Played; Into the Blue; Mr 3000; Drumline; 11:14, which earned Hurlbut a DVDX nomination; and The Skulls. Notably, his television credits include the first season of AMC’s Into the Badlands.

Blog-CTA-Banner-Light-Replicating-Advanced

Filmmakers Academy Premium Lighting Courses

  • On Set Power Distribution
  • How To Soften Light
  • Advanced Replicating Light Sources
August 20, 2014/by Shane Hurlbut, ASC
Tags: act of valor, Camera, Canon 5D, canon c500, Cinematography, Cinematography Online, DSLR, Fathers and Daughters, Film, Film Education Online, Film School Online, filmmaking, Need for Speed movie, Shane Hurlbut
Share this entry
  • Share on Facebook
  • Share on Twitter
  • Share on WhatsApp
  • Share on Pinterest
  • Share on LinkedIn
  • Share on Tumblr
  • Share on Vk
  • Share on Reddit
  • Share by Mail
https://www.filmmakersacademy.com/wp-content/uploads/2014/08/man-cam-in-the-fire-1.jpg 1333 2000 Shane Hurlbut, ASC https://www.filmmakersacademy.com/wp-content/uploads/2021/10/Filmmakers-Academy-Filmmaking-Courses.svg Shane Hurlbut, ASC2014-08-20 10:00:382022-09-02 03:28:34Act of Valor: Out of the Box Filmmaking
You might also like
Rosco VIEW Camera Filters and pouchRosco View: New Frontier Tools
Find Your Breakthrough - MusicbedCinematographer Shane Hurlbut, ASC: “When I’m Stuck”
Glen Quagmire with one muscular armStrength In Arms: The Matthews Infinity Arm
Final Draft 10 ReviewScreenwriting Software 2018 – Which is Best for You?
Panasonic Lumix DMC in usePanasonic Lumix DMC-GH4 Gear Review
Iconic Jaws gifSnaptrack Cinerails Camera Dolly System
13 replies
  1. Suriel Capodacqua
    Suriel Capodacqua says:
    August 20, 2014 at 11:30 AM

    AMAZING – LIKE REALY AMAZING IS THE MOVIE AND SHANE CRAFT

  2. Rick Shorrock
    Rick Shorrock says:
    August 21, 2014 at 5:48 AM

    Saw this when it was originally posted online. Good to see it again. Thanks for being a wealth of information, Shane. Congrats on “Need for Speed.” Love the golden-brown street light look in the night scenes.

  3. Jeff Andrew
    Jeff Andrew says:
    August 23, 2014 at 11:08 AM

    Wow! A true trailblazer in the DSLR revolution.

  4. Nicolas Belokurovl
    Nicolas Belokurovl says:
    August 24, 2014 at 9:35 PM

    Great to see it back online, thanks a lot for sharing Shane, an amazing inspiration.

  5. Paolo
    Paolo says:
    August 25, 2014 at 12:51 PM

    WOW!

    Thanks so much Shane!

    Hope to see you in FT Lauredale next month!

  6. Aliev O
    Aliev O says:
    August 25, 2014 at 10:25 PM

    It was amazing. I loved it. Will watch it few more times.
    Salutes

  7. Elisha
    Elisha says:
    September 1, 2014 at 1:43 AM

    This is so great. I went to Walmart and bought the DVD to watch it. I have a 65inch screen and it really looks as good as a movie I have(Book Of Eli) that I know was shot on the RED.When you said what would take to shoot in 5 days with a film camera your crew shot it in 4 hours!! Would you shoot a project with the 5DMarkIII with the Magic Lantern software for RAW on it?–I saw a short film shot with it and the detail in the shadow and highlights was amazing.

  8. Vance
    Vance says:
    February 23, 2015 at 9:39 PM

    Very inspirational and thinking now how other affordible cameras such as Blackmagic and GH4 matched with primo glass would serve as well!

    • Shane
      Shane says:
      February 24, 2015 at 9:58 AM

      Haha. I like it Vance. Love those Primo babies.

  9. Vance K
    Vance K says:
    March 20, 2015 at 4:22 AM

    Shane, I just want to say that when I watched this film again several years after my first view, the appreciation of what was accomplished here has increased so very much in proportion to how my film making studies have grown. Of course this is true for most films I watch but in knowing now the main cameras used here, the amazement is even greater in what you so very much accomplished as DP. In general with most films I think the credit given to the DP, the editor, the sound/audio dept., music composers and yes so very much also to the colorist, is far too dimished! These aspects of film making are what make a movie great just as much as the actors, the story and the director! Yes there is the emotional content of the story, the acting etc. but the more one learns about all these other aspects of how films are made, the deeper the love and appreciation for the art form and all the components that come into play for a finished masterpiece!

    • Shane
      Shane says:
      July 23, 2015 at 8:04 PM

      Absolutely true, and one thing I find is the more you gain experience in all these facets the better filmmaker, cinematographer you will become. Thank you for your kind words and support. Act of Valor was a very unique experience not only the camera tech but in the way we made this baby as well.

  10. Lux
    Lux says:
    May 7, 2015 at 2:43 PM

    Wow Shane you inspire a lot of people with your passion for cinematography. Hoping to find a collaborator like you one day.

    • Shane
      Shane says:
      July 12, 2015 at 2:15 PM

      Thank you so much for your kind words and support.

Comments are closed.

Blog Catagories

  • Announcements
  • Cinematography
  • Film Theory
  • Lighting
  • Pre Production
  • Production
  • Post Production
  • Finding the Frame
  • The Look Of
  • Wellness
  • Sponsored
  • Off Topic

Newsletter Signup

SUBSCRIBE

Join our community to take advantage of personal insights, techniques, and skills from Hollywood professionals. They put in the time and effort so you don’t have to!



BROWSE COURSES

Cinematography
Lighting & Grip
Directing
Camera And Lenses
Post Production
Coming Soon
View All Courses

ABOUT

Pricing
Store
Blog
Our Story
Our Mentors
FAQs
Student and US Military
Shane’s Kit
Glossary
Contact Us

DOWNLOAD
SIGN IN
BECOME A MEMBER

Our Partners

 
PreviousNext
Red Digital Cinema logo
Matthews Studio Equipment logo
The Tiffen Company logo
Musicbed logo
Keslow logo PNG Transparent
Blueshape logo
MBS Equipment Company logo
 

Filmmakers Academy, Los Angeles, CA Born in Los Angeles, CA.

Terms Of Use         Cookie Policy         Privacy Policy

2023 © Hurlbut Visuals, All Rights Reserved.

Scroll to top