
Finding an Audience: Musicbed’s 1st Annual Film Festival
As a filmmaker, the best thing you can do is to create content and to get that content out there so people can see it. Creation + Delivery = Exposure.

Scoring your Film: Finding the Tools to Maximize Your Time and Creativity
Even as a Director of Photography, I am still very cognizant of other moving parts of a film. A major element of every film is the film’s score or music.

Discover Your Personal Filmmaking Audio Journey: The Sound Advice Tour Review
Sound Advice is very comprehensive for beginners, a great refresher and skill builder for intermediate enthusiasts and hobbyists, and even at the pro level, you'll benefit and maybe even be blown away by some of the exercises.

Film + Music Quarterly Magazine by Musicbed and Film Supply
Musicbed and Film Supply have connected both companies with a similar goal: collaboration. This publication is about inspiration and connecting with the audience.

G-Technology: G-RAID vs G-DRIVE
G-RAID vs G-DRIVE- It all comes down to speed and performance. I think having the added speed and reliability to ensure future work makes for a solid choice.

Why Do We Color? The Role of the Digital Colorist
When I first started out as a colorist assistant, I thought the colorist’s job was primarily to set unique and interesting “looks” for music videos, commercials and feature films. Yes, that is certainly a major component, but once I began to sit in the colorist’s chair, I quickly realized there was so much more to it than that!

Flanders CM 250 – The Lighting and Exposure Monitor of the Future
The CM 250 is a 24” OLED display that is crisp, clean and delivers beautiful blacks.

Adobe Creative Cloud for the Indie Filmmakers
A review of Adobe Creative Cloud for the independent creative

Dark Energy for After Effects
Lance Maurer and his team at Cinnafilm developed the Dark Energy Suite, a revolutionary texture management system. This is how I was able to seamlessly cut film and the Canon 5D MkII together on Act of Valor.

Blackmagic Camera Post Workflow
We look at some workflow options for getting both the CinemaDNG and ProRes files out of the Blackmagic Cinema Camera and into the NLE of your choice.

The Musicbed App for iPad and iPhone
The Music Bed has just released a cool little iOS app and it is a fantastic way to research what music you want for your project while you are mobile.

The Basics of Audio Equipment for Filmmakers
In order to be a well-rounded audio engineer, it is crucial that you understand the tools available to you. Here I break down the audio equipment available and teach you their purpose, limitations, and some tips on learning how high quality audio is recorded.

Gemini 4:4:4 RAW: Your 4K/2k/1080p Recording Solution
Testing the new Gemini 4K RAW Recorder. I am all about keeping things compact and mobile, and the Gemini has this in spades. It is very small and has a very cool on-board monitor so that you can immediately check the digital gate.

Editing “The Ticket”
By Dan Liu. As an editor, it is the best feeling knowing that you will have great material to work with. After talking with Po and Shane, I was very excited about working on The Ticket, as I knew it would have great material in spades.

The New Dark Room for the Digital Age
Imagine a world where the loader returns to the darkroom to process footage. The Codex Vault is just that.

HP Elitebook 8770w Mobile Workstation: Reshaping Our Workflow
The Elite Team and I have been using the HP Elitebook 8770w Mobile Workstation, and it has allowed us to reshape and slim down our workflow.

Po Chan’s Vision for “The Ticket” – The Digital Convergence Podcast
In this special edition of the Digital Convergence Podcast, Chris Fenwick delves deep into the mind and vision of Po Chan - a remarkable visual story teller, artist, and director of both “The Last Three Minutes” and “The Ticket.”

7 Tips for HD Color Correction and DSLR Color Correction
Color correction is just one step of the entire filmmaking process…but oh, what a difference it can make. You can [...]

Dark Energy: Enhancing the HDSLR Revolution
Over the last 6 months, I have been under a Non-Disclosure Agreement (NDA) with a company out of [...]

Editing in Adobe Premiere CS 5.5
About a month ago, Shane asked me to join the Elite Team as his editor. There’s an old saying: [...]