The Cinematography of The Studio TV Series
Adam Newport-Berra isn’t your typical Hollywood cinematographer. Emerging from the raw energy of Oregon skateboarding videos, his approach to visual storytelling is often described as “punk” — stripping away the excess, embracing simplicity, and fearlessly diving into the heart of the story. This ethos is on full display in the wildly popular AppleTV+ series The Studio, a frenetic, hilarious, and technically audacious deep dive into the lives of studio executives.
Newport-Berra’s journey, from a broken leg leading to a Mini DV camcorder obsession to the hallowed halls of NYU film school, laid a foundation built on instinct and hands-on experience. While film school introduced him to the beauty and discipline of 16mm and 35mm, it was the raw, immediate energy of capturing skateboarding that instilled in him a knack for dynamic movement and visually engaging content — echoes of which can still be seen in his work today, particularly in the constant choreography of The Studio’s camera.
This episode is proudly lit exclusively by Nanlux-Nanlite Lights and sponsored by B&H and Hollyland.
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APPROACH TO TECHNOLOGY AND EQUIPMENT:
Like his inspiration, the legendary Dutch cinematographer Robbie Müller, Newport-Berra favors a “less is more” approach to technology. He readily admits to not being a tech-head, often relying on his experienced crew to suggest the latest gadgets. However, his philosophy remains rooted in simplicity.
“I always try to come at it from the simplest way possible. I never think of a shot like, ‘How can I use this tool?’ It’s really more about dreaming up a shot and then being like, ‘How can we pull it off as simply as possible?’” —Adam Newport-Berra
Behind The Scenes of The Studio | Apple TV+
For The Studio, this meant a remarkably lean setup. Eschewing multiple cameras, Newport-Berra and his team primarily relied on a single ARRI Master Prime 21mm lens. This deliberate choice wasn’t born out of limitation but rather a desire to maintain focus and energy on set.
“I really love the energy and spirit of a single-camera show,” he explains, emphasizing how it makes every shot feel crucial and fosters a heightened sense of collaboration and accountability among the cast and crew.
PREP PROCESS & VISUAL STORYTELLING:
While his on-set approach might feel spontaneous, Newport-Berra is a meticulous preparer. His “dream prep process” involves creating detailed PDFs, a “shooting bible” for each scene. These documents are rich with reference images, working shot lists, location photos, and even links to location scouting videos. This granular level of detail ensures everyone on his team is on the same page regarding the visual language and technical requirements of each scene.
Behind The Scenes of The Studio | Apple TV+
However, Newport-Berra remains adaptable, recognizing that not all directors share the same level of pre-visualization. He also emphasizes the importance of look books and visual bibles in aligning with the director’s vision, sometimes distilling the essence of a project down to just a few key reference images.
To our aspiring cinematographers, take note! This thorough preparation, whether highly detailed or more impressionistic, provides a strong foundation. Plus, it allows for confident improvisation and problem-solving when the inevitable on-set challenges arise.
CHALLENGES AND SOLUTIONS ON SET:
Filmmaking is rarely smooth sailing, and Newport-Berra recounts numerous instances on The Studio where seemingly impossible shots were conceived. The show’s signature long takes, often weaving through multiple rooms and complex actor blocking, demanded creative problem-solving and unwavering commitment.
One particularly memorable example is the seamless transition from a car driving up to Chateau Marmont on Sunset Boulevard into the hotel itself. Utilizing a Chapman crane, a Ronin gimbal, and a magnetic car mount, the crew executed a complex dance of movement and timing.
Behind The Scenes of The Studio | Apple TV+
This not only showcases their ingenuity but the “punk” spirit of making the shot work against all odds. Similarly, the seemingly impossible crawling shot across a conference table in the Ron Howard episode was achieved by cleverly using a “donut table” and VFX artistry.
Newport-Berra credits his talented crew as essential partners in overcoming these challenges. He cultivates a collaborative environment where ideas can come from anyone, from the loader to the key grip. This collective problem-solving, combined with a “never say no” attitude, allows them to consistently pull off the improbable.
THE VISUAL LANGUAGE OF ‘THE STUDIO’:
The visual language of The Studio is a direct reflection of the chaotic and high-stakes world it portrays. Driven by people’s champion Seth Rogen and the highly esteemed Evan Goldberg’s desire to create a sense of anxiety and panic, the camera in The Studio is a character in itself. It constantly moves, darting and whipping between characters and situations.
Behind The Scenes of The Studio | Apple TV+
Inspired by films like Robert Altman’s “The Player” and, particularly, Mikhail Kalatozov’s “The Cranes Are Flying,” Newport-Berra embraced a frenetic camera style. He often employed long takes with a single 21mm lens to keep the audience immersed in the relentless pace of studio life. This deliberate choice of a wider lens allowed for both expansive shots of the bustling environment and surprisingly intimate two-shots. All while maintaining a consistent field of view that the actors quickly learned to anticipate.
CAMERA TECHNIQUES AND OPERATOR COLLABORATION:
The demanding nature of The Studio’s long takes necessitated a strong collaboration between Newport-Berra and his camera operator, Mark Goellnicht. Recognizing the physical and mental endurance required, Newport-Berra entrusted the operating to Goellnicht, a seasoned professional with exceptional instincts and athleticism.
Behind The Scenes of The Studio | Apple TV+
Goellnicht’s deep understanding of the script and the intricate blocking was crucial to the success of each take, often ranging from eight to sixteen attempts. The camera, frequently stripped down and held bare-handed, became an extension of Goellnicht. Especially as he navigated the complex choreography, memorizing every beat and pan.
This trust in his operator allowed Newport-Berra to focus on the broader visual narrative, working with lighting and other departments to enhance each meticulously planned (and often improvised) sequence.
THE BOTTOM LINE: EMBRACING THE CHAOS
Adam Newport-Berra’s work on The Studio is influenced by his “punk rock” approach to filmmaking. More specifically, his willingness to embrace limitations, prioritize storytelling over excessive technology, and cultivate a collaborative spirit on set.
By stripping down the equipment, committing to bold visual choices like the single lens and long takes, and trusting in the talent and ingenuity of his crew, he has crafted a visual language that perfectly captures the frenetic energy and comedic brilliance of the show. His journey from skateboarding films to the heart of Hollywood serves as true inspiration. It’s that passion, adaptability, and a fearless approach to the craft that can lead to truly innovative and captivating cinematic experiences and opportunities.
FINDING THE FRAME PODCAST AND FILMMAKERS ACADEMY:
A RESOURCE FOR ASPIRING FILMMAKERS
This article is based on an insightful interview with Adam Newport-Berra on the Finding the Frame Podcast. It’s a vital resource for filmmakers eager to learn from the experiences of industry professionals. Hosted by Chris Haigh, the podcast offers a platform for in-depth conversations with leading cinematographers, directors, production designers, and other key creatives who shape the world of visual storytelling.
Are you inspired by Adam Newport-Berra’s journey and the techniques discussed? Filmmakers Academy provides a comprehensive online learning platform designed for both aspiring and established filmmakers. Offering a wide array of courses that cover every facet of filmmaking, Filmmakers Academy equips individuals with the knowledge and practical skills necessary to thrive in this dynamic industry.
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This episode is proudly lit exclusively by Nanlux-Nanlite Lights and sponsored by B&H and Hollyland.
