Essential Knots for Filmmaking: Clove Hitch
A useful knot to know for filmmaking is the clove hitch knot. The clove hitch can grip anything, from round objects, to square objects, to rectangles, it can wrap around pretty much any shape.
Director of photography Shane Hurlbut, ASC works at the forefront of cinema as a storyteller, innovator and discerning collaborator, who brings more than three decades of experience to his art. He is a member of the American Society of Cinematographers, the International Cinematographers Guild/Local 600, and The Academy of Motion Picture Arts and Sciences.
A useful knot to know for filmmaking is the clove hitch knot. The clove hitch can grip anything, from round objects, to square objects, to rectangles, it can wrap around pretty much any shape.
Big personalities, intense time pressure, and thousands of dollars riding on getting the shots to make your day. As a filmmaker, how do you deal with difficult personalities, especially if you are stuck with someone on a long feature?
Many people have asked about how I am processing these huge files from the Canon 1D C and its powerful 4K in camera capture. Here is how we roll it out.
Lance Maurer and his team at Cinnafilm developed the Dark Energy Suite, a revolutionary texture management system. This is how I was able to seamlessly cut film and the Canon 5D MkII together on Act of Valor.
The approach to selecting cameras for Need for Speed. It’s about each camera’s unique abilities and how to use those abilities to your advantage.
We look at some workflow options for getting both the CinemaDNG and ProRes files out of the Blackmagic Cinema Camera and into the NLE of your choice.
Recently, I shot a promo for HBO’s enthralling television series “Game of Thrones” and had the opportunity to put the Inovativ Echo cart through its paces in a real set environment.
The Music Bed has just released a cool little iOS app and it is a fantastic way to research what music you want for your project while you are mobile.
In order to be a well-rounded audio engineer, it is crucial that you understand the tools available to you. Here I break down the audio equipment available and teach you their purpose, limitations, and some tips on learning how high quality audio is recorded.
Greg is dedicated to producing a great monitor. He’s fascinated with what his clients are doing with HP’s products, and he’s always looking for improvements.
I joined the NeedCreative Podcast again this week. We talked about the art and science of cinematography and then did a mini-workshop. I go into story scenarios and how I would light and lens them.
Testing the new Gemini 4K RAW Recorder. I am all about keeping things compact and mobile, and the Gemini has this in spades. It is very small and has a very cool on-board monitor so that you can immediately check the digital gate.
Blackmagic graciously supplied a camera for testing. We pushed and pulled this baby to see when it would break as well as where it excelled.
As I embark on a long creative, exciting journey on Need for Speed with DreamWorks, I wanted to share some of my most recent findings from a five day camera test that pushed every camera to its breaking point.
Learn how Wes Phillips and Dale Backus from SmallHD won the “Doritos: Crash The Superbowl Contest” not once… but twice and then how they used their earnings to fund the growth of SmallHD.
As CEO and co-founder of Hurlbut Visuals, I joined Carl Olson, Chris Fenwick and Mitch Aunger on the Digital Convergence Podcast. We had a wonderful conversation about business, marketing, branding, education and building a team in the world of filmmaking.
How important it is to take your camera tests out of the studio and on to location. You want to see how your camera’s emulsion handles highlights, hot skies, night exteriors and night interiors.
By Po Chan. Shane and I have always said that The Ticket is a love story between art and science. I think the true beauty of art, as well as the art of cinema, is the power to communicate with people on a subconscious emotional level.
American Cinematographer recently produced a podcast about shooting Deadfall — “going inside the visual landscape of a suspense filled winter wonderland.”
By Dan Liu. As an editor, it is the best feeling knowing that you will have great material to work with. After talking with Po and Shane, I was very excited about working on The Ticket, as I knew it would have great material in spades.