Dale Campbell and his team at Still Moving Media are back with the second part of their Doing It All In Davinci series and today they’re looking at Blackmagic Raw and Color Temperature.
Dale Campbell and Still Moving Media’s Doing It All In Davinci 6 part editing tutorial. Dale focuses on editing, color grading and a little bit on sound design using a video that his team filmed for the launch of Aston Martin’s latest car.
Introducing our Isolation Filmmaker Challenge – MAKE IT EPIC – It’s free to enter with a prize for the video we think is the best.
Find out the fantastic story of a group of filmmakers who found a novel way to save lives during the COVID-19 crisis.
If you’re looking for the right kind of Xeen lens, you’ve come to the right place! Today we conduct a Xeen CF vs Xeen Classic test, and compare even further with our Red Primes. First off, what I like to do is just put them up on the same camera so these are both […]
Depth of field is as important as your composition or picking a focal length. It’s the emotion, the punctuation, and the eyes of the story in filmmaking.
By popular demand, the Hurlbut Academy team breaks down Bong Joon-Ho’s multi Academy Award winning masterpiece, Parasite. We dive into the composition of shots, the camera and lens choices, storyboarding and set design, camera movement and more!
Shane talks about what to do if you are stuck using examples from his time on the filmset as part of an initiative for our friends at Musicbed.
Shooting in IR is actually very easy to do, but only after you have learned some of the basics and thought about why you want to use it. Like with all rules there’s a time and place to break them for creative purposes.
Color Black and White Aspect Ratio 1.19 : 1 Camera Panavision Panaflex Millennium XL2, Bausch & Lomb Baltar and Petzval Lenses Laboratory FotoKem Laboratory, Burbank (CA), USA (processing) Harbor Picture Company, New York (NY), USA (digital intermediate) Negative Format 35 mm (Eastman Double-X 5222) Cinematographic Process Digital Intermediate (4K) (master format) Spherical (source format) […]
The history of the film format in filmmaking, it’s importance in how we make films, why we should keep film alive, and where we cinematography is going with this medium.
Following the groundbreaking success of The Look Of Joker, Hurlbut Academy’s team turn to Scorsese’s The Irishman for the next deep cinematography break down video and article
Have you ever looked at a movie poster and thought you’d seen it before? Here’s 10 movie poster types and the tons of movies that follow them from twitter account @leesteffen
Vote for your very own Best Picture Oscar 2020 and find out how voting happens for the Academy Awards in this article by HA writer Chris Haigh
Hurlbut Academy Writer Chris Haigh & Editor Ross Papitto comprehensively break down the Cinematography and Look of the Golden Globe Winning Film, 1917.
Hildur Guðnadóttir shot into the public eye last year winning an Emmy for her soundtrack to HBO’s Chernobyl and then recently with her Golden Globes win and Oscar Nomination for Todd Phillips’ Joker. What makes the former even more intriguing? Find out in this video essay and article by Hurlbut Academy writer, Chris Haigh
Matthews New Rock N’ Roller Wheels will make transporting equipment easier no matter what terrain!
Adobe’s Black Friday Deal has offers that you’ll want to look at!
In this Video Essay and supporting article, Hurlbut Academy looks at the look and cinematography of the 2019 smash hit movie “Joker”.
Join NAB show for a day in Hollywood for an interactive and community building experience where you can explore in-depth perspectives on emerging trends shaping the future of content creation.
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