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24 search results for: xeen

1

Xeen CF vs Xeen Classic Lens Test

Welcome to our Xeen CF vs Xeen Classic test (with our Red Primes for a further comparison).  First off, what I like to do is just put them up on the same camera so these are both mounted on RED Gemini 5K cameras. Here’s what you need to know: Color Quality: Xeen CF had […]

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Xeen 20mm Lens Overview

Xeen’s lineup of lenses are spectacular. They’ve hit the nail square on the head with both the look and the price point. They’re true cinema glass that people can afford to own. Xeen’s image quality is unique and beautiful. Here’s a brief look at the Xeen 20mm, specifically at its image quality, breathing, and color rendition.

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Xeen 16MM Lens Overview

Today we’re taking a brief look at the new Xeen 16mm PL mount. This is a cinema lens packed into some affordable pricing. I haven’t seen anything like it out on the market. This is a piece of glass that has a unique look, comparable to some of the qualities normally found in higher end glass.

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XEEN Prime Lens Test: 14mm & 35mm

@shanehurlbutasc Today we are doing a XEEN lens comparison test with the newly added 14mm and 35mm XEEN lenses. We’re going to compare these lenses with the Canon CN-E, Zeiss CP.2, and our Cooke S4 lenses. To do this, we rigged it up so that we have all four cameras rolling at the same time, […]

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Shoulder Mount – How to Rig Your Camera Series

In today’s article, we’ll be taking a look at how to rig a shoulder mount for your camera. Shoulder mounts are a great run and gun style mount, or equally comfortable when operating on a dolly for a smooth but handheld feel.   The best handheld sound camera I ever used was the Panavision Platinum […]

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RIG YOUR CAMERA FOR HANDHELD

One of the most popular rigs out there is the handheld rig, because it allows you mobility and frees you up to get your shot fast. When it comes to figuring out the best way to configure your digital camera, there tends to be a lot of arms, a lot of cables, and a lot of accessories.

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Samyang Releasing XP 50mm F1.2 EF Mount

Samyang’s new XP Lens line is really heating up. Their new 50mm F1.2 lens is the third lens they’ve added to this lineup touting touts 8k for video and more than 50 megapixels for photography. Chances are this lens will deliver beautiful bokeh and sharp images even low light. I can’t wait to try it out myself.

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Focal Length: Go Long or Go Wide

One question I get asked a lot is how to choose the right focal length. Do I go long in a certain situation or do I go wide? How do you know what to choose? There are different times to employ various focal lengths – knowing when to employ each is part of the craft that is cinematography. Here’s my secret sauce for choosing whether to go long or wide in a scene.