Accessorizing Your Canon 1DC for Cinematic Capture: Part 2
This week our focus is on adding the little bits that energize video village and make the Canon 1DC focus puller friendly.
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This week our focus is on adding the little bits that energize video village and make the Canon 1DC focus puller friendly.
Shane’s suggested menu settings for using the Canon 1DC as a cinematic movie maker.
How important it is to take your camera tests out of the studio and on to location. You want to see how your camera’s emulsion handles highlights, hot skies, night exteriors and night interiors.
It has been a whirlwind since NAB, with all of the new emerging 4K technology and where this fits into the filmmaking process. Here are our tests with the Canon 1DC 4K DSLR camera.
On The Ticket, the lighting was a challenge because we used natural, available light and shaped it. I turned lights off, then added accent lights to bring out the depth of a location.
We have had an outpouring of positive feedback on Po Chan’s film “The Ticket.” Everyone at Hurlbut Visuals wanted to give you an inside look at how we used the power of this incredibly flexible, lightweight, DSLR platform, the A camera system that is the 1DC. It gives any filmmaker the ability to dream.
When Canon approached me to test and shoot a short film for their new 1DC 4K DSLR, I was more than excited. After the first night of testing, one word came to mind. WOW!!!
Oh boy, we’ve got a whole SLEW of Canon Camera related questions this week. Let’s get into it! SIC Podcast EP. 9 is now live on iTunes! Submit your questions HERE. Podcast Questions: 1:13 How much image manipulation is done with the footage that comes from the Canon C500? When you spoke of the 5D […]
How I go about understanding the exposure of a digital sensor, specifically with the Canon Cinema EOS Platform – finding its soul, its breaking point, as well as its deep and dark secrets that you cannot find in a Canon manual.
The accessorizing required to turn your Canon 1DC into a Movie Making Machine.
Many people have asked about how I am processing these huge files from the Canon 1D C and its powerful 4K in camera capture. Here is how we roll it out.
When choosing a lens for the Canon 5D Mark II camera you have to consider the look and feel that you are trying to create for the final visual product. My team and I have tested and played with these lenses quite a bit and here is…
RED Digital Cinema hit the market in 2005 and ever since the world of filmmaking has never been the same. RED was a major factor in revolutionizing the industry by making digital cinematography the standard for motion capture. And, trust me, I know a little something about that major turning point in the industry. As […]
Patrick Moreau and the entire Stillmotion team have an amazing project that we would like to share with you. Their hope with #standwithme was to blur the lines of traditional documentary storytelling.
Our members are what make Shane’s Inner Circle such an incredible filmmaking community. We want to celebrate their stories with this Spotlight Series. Today we are featuring Luca Ricci from Italy who shares his story of his first time on a feature set. Enjoy!
I asked our Inner Circle member Will Stewart to take BTS stills of our latest Inner Circle content shoot and to use the Fujifilm GFX 50S. This is his take on his experience shooting BTS of our Inner Circle content shoot.
I’m going to share my location scout travel kit. No matter if I am in Los Angeles or I’m overseas in Prague, I’ve got both of these bags.
We all have seen the documentary style and how it looks and feels with real people. The director, Xander over at Backyard Productions, had a different idea and it was so unique and fun to shoot that I wanted to share it with all of you.
Lighting car interiors at night. How I light, what choices I make with specific units, and why one lighting tool is selected over another.